When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
成长中(🍫)(zhōng )父母(🍣)也在(zài )日渐变(🐺)老(lǎo ),我(📯)们会(huì )把这样或(🏌)(huò )那(🗞)(nà )样(🧠)的无(wú )奈(nài )当做(🅾)(zuò )借(jiè(🤲) )口(kǒu ),而忽(hū )视(shì(👗) )他们(⛳)的(de )心(✏)(xīn )理或身(shēn )体的(🎿)健康(kā(📛)ng )状况,当(dāng )问题(💄)严重(chó(🤡)ng )时我们又(yòu )会悔(📡)恨自(🦄)(zì )己的冷漠(mò )和粗心(❇),孩子和(🌜)父母之间永远存(♒)在一(🐡)种不(📀)公平,而这种不公(🤥)平却又(🤡)以一种不协调的姿势(😿),却又很和谐的存在(zà(✡)i )着……(⬆)…
《四个春(chūn )天(📸)》是一(yī(📞) )部以真实(shí )家庭(🕸)生活(🎞)(huó )为(🤥)背景的(de )纪录片。15岁(❇)离家,在(⛵)异乡漂(piāo )泊(bó )多(🧜)年(niá(🐌)n )的(de )导(🚳)(dǎo )演以自(zì )己(jǐ(🥪) )南方小(😽)(xiǎo )城(chéng )里的父(🤷)(fù )母为(💡)主角(jiǎo ),在四年(niá(🏊)n )光阴(🚰)里,以一己之(zhī )力记录(🍙)了(le )他们(🤼)的美(měi )丽日常。在(📸)如诗(🌽)的乐(👇)活慢生活图景中(🐳),影像缓(🤛)缓雕刻出一个幸福家(🙂)庭近二十年的温柔变(🚺)迁,以及他们如何以(yǐ(😟) )自己的(🌒)方(fāng )式面对流(liú(🐨) )转的(➡)时间(🚽)(jiān )、人生的(de )得失(🎓)起落(luò(🌚) )。
两个来(lái )自北京和(hé(📶) )上海的女(nǚ )孩,带着(zhe )自(🐆)(zì )己的(🎰)过(guò )去(qù )相遇(🏢)在(zài )318号(🚦)(hào )公路,一(yī )起骑(🐌)行(há(🗣)ng )、各自找(zhǎo )寻、重新(👶)(xīn )迷失(📗)、又(yòu )再次自我(📑)(wǒ )救(💛)赎。经(🏣)(jīng )历不一样(yàng )的(🚝)人和事(🌴)后如何面对生活、理(😄)解生命的故事。
闇(🐟)金か(🍙)らの借金が返せず、(🕦)スナッ(🐒)クで強制的に働(🐫)らか(📀)され(🔗)ている、満(mǎn )里(🍉)奈、優(🔵)(yōu )梨、鈴。3人は自閉(bì(🗡) )症の進ノ介の家に転(👔)がりこ(🥎)み生活してい(😔)た。3人(ré(🔊)n )は女性(xìng )が苦し(❣)む姿(🈹)(zī )を見て快(kuài )楽を楽(🅿)(lè )しむ(🍍)という変わった(♓)癖を(✈)持(chí(🏇) )っていた。捕まえ(😤)てきた(🔱)風(fēng )俗嬢をさんざん(🎋)いたぶり、殺害(🙌)しコ(🌳)ンクリートに固めて(🗂)捨てて(👝)いた。ヤクザの愛(😔)人で(🎗)ある(🔥)美麗を捕まえて(🥒)きて、(🥦)新(xīn )たなえじきにす(🎦)る3人だった…
The uncensored extended version of Don't Love Me - boys feature film with Alex Kelly and Alexander Scott.