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1995年,Jonas是(shì(🔇) )个(🤺)躲在柜中的14岁(🚣)男(nán )孩,他(🍩)(tā(💠) )对英俊(jun4 )潇洒的(🍈)同学Nathan一见(jiàn )钟情(🥡),尤其对Nathan桀(🐢)骜(♒)(ào )不驯的(de )一面(🥕)又(yòu )爱又怕。18年后,三十而立(🧣)的Jonas已是风(fēng )流倜(📻)傥(tǎng )的熟(😫)男(📍)(nán ),却仍在寻找(🕥)人(rén )生平衡点,因(🔍)为挥(huī )之(🌙)不(🤝)去(qù )的回忆(yì(🏕) )阴影,他回(😄)到睽(kuí )违已久的(🌑)家乡,试(shì )图在每(😝)(měi )个记忆(🍒)(yì(🍂) )角落,寻找早已(🚱)(yǐ )失去的线索(suǒ(🐠) )、14岁的(de )自(🆔)己(🚐),以及他(tā )曾经(🙂)爱过(guò )的(🈯)那个男孩…
Six individuals end up in a Hotel in the middle of nowhere with a very eccentric caretaker. They haven't arrived by accident. Age old, evil powers are within the hotel and behind the walls a deep dark secret hides. They have to survive the night but not everyone is whom they seem.
When everything comes crashing down, two destructive siblings are trying to maintain a balanced psyche.
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
20世纪(👵)(jì )福克斯(sī )最近(😭)买(mǎi )下了(🏸)Alma Katsu下(🛥)部小说《饥饿》((☝)The Hunger)的电影(yǐng )版权,这部小(xiǎ(🍙)o )说以《行尸走肉(rò(🥛)u )》的风格叙(🍗)述(🥣)了北(běi )美历史(🤶)(shǐ )上最恐(kǒng )怖的(🔟)一段“食人(🈹)(ré(🐳)n )”历史。
玄门掌门(📨)(mén )江元为(wéi )救元都(dōu )百姓(🔅),牺牲自己(jǐ )将上(🌊)古妖兽飞(🍎)天(😵)神(shén )猪封印(yì(❣)n )于其子(zǐ )江五山(🕧)体内。此(cǐ(🏇) )后(🔅)二十年,江五山(🎴)(shān )在山村(👎)(cūn )长大,却因自小(🤶)(xiǎo )长了一条猪尾(😯)巴,一直被(⏯)(bè(🔲)i )同村人(rén )视为(🎈)怪胎。某日(rì ),江五山被同村(🔆)人(💻)(rén )欺辱,怒而变(👋)(biàn )猪头,因(🕸)此(🌙)被赶(gǎn )出山村(🌍)。怀疑自己(jǐ )撞邪(🧑)的(de )江五山(🤖)(shā(🦐)n )前往元都,寻找(📜)(zhǎo )改变自己之法。
在(zài )父亲(🥁)去(qù )世后,亚伦回(🎏)到家中帮(✨)(bā(🧖)ng )助他悲痛欲绝(😾)的母(mǔ )亲,并(bìng )直(🌮)面他(tā )的(💉)过(♍)去,而在处(chù )理(🎇)后事的过(👱)程中,他发现(xiàn )了(🔞)一个(gè )神秘的骨(😼)灰龛,而这(🤼)背(🎿)后还(hái )隐藏着(😶)(zhe )更加可(kě )怕的东西.....
The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.