安吉(🔧)丽(lì )娜·朱莉通(📀)过Netflix宣布,她将(🚐)(jiāng )执导(🅱)该(gāi )公(💰)司出品的全新(xī(🗜)n )电影(yǐng )作品(🛤)《First They Killed My Father》。影片聚(🐰)焦红(hó(🤬)ng )色高(gāo )棉政权时(💏)期的柬埔寨(🍚),其养(yǎ(🏾)ng )子马多(🈲)克斯将出(🍎)演。
A struggling novelist moves his wife and young son to an old country home where he intends to write his next bestseller, but when a presence begins to communicate with his son, the tortured family must fight to escape an evil that threatens to doom them to the house for eternity.
本片(🛌)讲(jiǎng )述的是(🗄)一群年(🚌)轻(qīng )人在(zài )生活(🚑)、社会、情感的重(🗂)(chóng )压之(☔)(zhī )下,仍旧义无反(🛂)顾的追求自(zì )己音(🧓)乐梦想(🥥)的故(gù )事。
Six therapy patients are brought together at a secluded cabin to confront their strangest fears. But these fears won't just hurt them...they will kill them.
《诡宅(zhá(🎈)i )魅影》讲述的是(shì )民(🏏)国(guó )时(👥)期被父母寄居在(🚼)吴宅(zhái )的小(🌈)(xiǎo )莲((👝)瑶瑶)(🈂)因长期遭(zāo )受吴(🖲)老(lǎo )爷虐待(💍)迫害,导(💤)(dǎo )致人(🏬)(rén )格分裂(liè ),陷入(🚨)四重人格(gé(🔚) )。由(yóu )于(🔗)吴老爷(😤)与土匪勾(🥅)结,小莲(lián )即将被灭(🛸)口之际(✋)(jì ),幸(xìng )得吴宅(zhá(👉)i )老管家(李子雄(xió(🔗)ng )饰演(yǎ(🌺)n ))搭救(jiù )才幸免(✋)于难。而(ér )此时(shí )的(🚍)小莲已(🦗)经得了失心疯,得(🥊)(dé )知妹妹悲惨遭遇(🐖)(yù )后,远(🚾)在国(guó )外学习心(🦍)理学的(de )哥哥(✝)(gē )决定(🗺)回国,帮(👓)助小莲进(jìn )行心(⛰)(xīn )理治疗。他(🗄)对小莲(💨)进(jìn )行(🥣)了催(cuī )眠(😊),将小莲(💏)再度(dù )带回(🍌)(huí )吴家(🕳)大(dà )院(🏫),并实地还(🤒)原(yuán )囚禁(jìn )场景,小(⏲)莲在哥(🤺)哥和吴家老(lǎo )管(🈵)家的帮助下,战胜(shè(🆘)ng )了失心(🎳)(xīn )疯,找回自我,恢(🔑)复(fù )了健康(kāng )。
Since early childhood, Björn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Lö(💋)fstedt’s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change
Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized?