简介
李(📽)天洋和郑(🙋)月两位(🚬)(wè(🤠)i )年轻“小炮儿”在执(🌎)行神(shén )秘任务(wù )时失败，惹(🥋)(rě )怒老大(🌾)(dà )闫老(🤸)板(🈹)，开始了亡命天涯(🔙)(yá )的故事(🐢)。在找寻货物的过(🍩)(guò )程中，郑(🚖)(zhèng )月偶遇(💆)发小并帮发(fā )小(🤵)找回(huí )了(🥝)失踪多时的男朋(🐍)(péng )友。同(tó(🖇)ng )时，郑月发(🌎)(fā )现了货(huò )物的(🙃)秘(mì )密并(🍷)明白如(rú(💒) )果不逃(👵)(táo )离这个地(dì )方就(🧐)会丧失性命(mìng )。屋(🕧)漏偏(piān )逢(🔖)连夜雨，在(🍜)郑月(yuè(🏨) )准(🍽)备离(lí )开的时候(🕥)，兄弟和(hé )发小的(de )被闫老板(🛣)抓，郑月(yuè(🐤) )不得不(🔱)(bú(🔣) )与闫老板正(zhèng )面(🌕)冲突(tū )，随(💳)之而(ér )来的却是(😼)越来越(yuè(🎐) )多的麻烦(🌁)(fán )。
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
In a single afternoon a man comes to grips with the power of his past when his estranged family becomes tangled in its web.
爱情侦探社是(🎶)(shì )一个神(⤵)秘(mì )低调的公司(🛴)，主要(yào )业(🏯)务是(shì )小(♓)三劝退，社长马(mǎ(👀) )葶拥有(yǒ(🌴)u )绝佳的政(🤐)商(shāng )手(🥦)腕，周旋在(zài )名人富(💙)豪之(zhī )间。手(shǒu )下(😃)的成员(yuá(🍓)n )集合了侦(🍽)探、律(🥦)(lǜ(🚶) )师、心理(lǐ )学家(🛹)等人才，他们(men )都有着(zhe )不能摊(📕)开在阳光(🌔)下(xià )的(🚭)秘(❓)密(mì )人生。有一天(😍)，侦(zhēn )探社(🎾)接(jiē )到一个案子(😝)(zǐ )，随着(zhe )案(🚗)情抽丝(sī(🏎) )剥茧，进或退都(dō(📕)u )会影响侦(🏨)(zhēn )探社的存亡。在(🛶)(zài )爱情的(🏳)十(shí )字路(🐇)口，他们开始(shǐ )疑(🛃)惑，究竟谁(🌐)才有资格(🏹)获(huò )得(🧐)真爱(ài )？这场正宫(🔐)(gōng )与小三(sān )之间(🕛)的(de )对决，究(🙃)竟(jìng )谁才(🔟)是(shì )最(🛬)后(📞)赢家(jiā )？
稍峪乡(📥)稍峪村(cūn )党支部书(shū )记兼(🛳)村委会主(🤚)任石(shí(🔌) )大(🍙)刚提(tí )议，根据该(👻)村实际(jì(⛪) )情况，成立鑫旺农(😽)业合作(zuò(🌎) )社。在(zài )外(🌒)地搞实体(tǐ )的共(⛔)产(chǎn )党员(🎐)张兴(xìng )旺闻讯后(🍻)赶回村(cū(📒)n )里，愿意(yì(🎒) )投资鑫旺农业合(⏹)(hé )作社。由(🍩)(yóu )党支部(🔸)提议，两(💂)委(wěi )会商议(yì )，党员(🖍)大会审议，群众代(📥)(dài )表大会(🎄)决议(yì )，制(🚽)定(dìng )了(🈹)稍(🥝)峪(yù )村成立鑫旺(🕉)(wàng )农业合(hé )作社，发(fā )展绿(🏎)色无公害(👋)高(gāo )效(🦊)设(🍘)施农(nóng )业产业和(🆎)乡村旅游(🐓)(yóu )项目总(zǒng )体思(🔃)路的宏伟(🍮)规划(huá )。两(🛃)委(wěi )会的提议，得(🏞)到了(le )广大(👵)村(cūn )民的赞同拥(🛡)(yōng )护。村(cū(🏗)n )里百分之(😑)(zhī )九十的村民与(⚪)张(zhāng )兴旺(🥜)签了(le )合同。但是，要(🎹)(yào )想将土地(dì )联成(🌥)规模化半夏基(jī(🖌) )地，正(zhèng )处(🎍)规划中心(🤾)地带丁(🌿)(dī(🤵)ng )家的八(bā )亩地必(➕)须签(qiān )约，而(ér )丁家当(dāng )家(🕉)人丁传根(🍍)和张兴(🧖)(xì(🛰)ng )旺一家关(guān )系错(🤔)综复杂，祖(📦)(zǔ )上有恩怨(yuàn )，牵(💕)扯到清朝(⏸)年间(jiān )两(🏤)家大(dà )人一起(qǐ(🖊) )抗捐一起(🗞)逃(táo )亡一个(gè )被(😺)抓一个失(🐯)踪的无(wú(🤵) )头案。父辈有交情(🚎)(qíng )，丁犟(jià(👳)ng )人和张家(jiā )老爹(🍤)老村长张忠(zhōng )厚是(🍀)儿时(shí )一起学艺(👺)的师兄(xiō(😊)ng )弟，丁传(chuá(👕)n )根的儿(🤳)子(🥝)丁小虎是(shì )一名(🧣)共(gòng )产党员，担任村支(zhī )委(🐡)，因(yīn )受祖(🍉)辈传教(🚼)(jiā(🔐)o )，对张(zhāng )兴旺投(tó(🔂)u )资承包鑫(➡)旺农业合(hé )作社(⚾)，表(biǎo )示坚(➿)决反对。正(📩)(zhèng )值党中央(yāng )在(🤷)全体党员(🈯)中开展(zhǎn )“两学(xué(🔝) )一做”教育(🍶)活动。通过(🔉)对(duì )丁小虎的耐(🐉)心说服(fú(🕒) )，丁小(xiǎo )虎偷着签(🎺)了(le )土地流(liú )转合同(🧣)。丁犟人丁传根闻(🖖)(wén )讯后把(🎗)小(xiǎo )虎越(😄)俎代庖(🎩)签(🧥)下(xià )的合同撕(sī(👶) )得粉碎，还提到了(le )两家避(bì(🎄) )讳不轻易(🎞)揭破的(⏭)祖(🍉)(zǔ )上恩怨(yuàn )，放下(💲)了绝(jué )不(😑)可能(néng )有半点(diǎ(🐗)n )商量余地(⌚)的狠话。在(📛)县档案(àn )局工作(🌆)的丁犟人(🗻)(rén )丁传根的(de )孙儿(🌟)丁罗林，通(💨)过(guò )查阅(🐀)存(cún )档资料，还原(💠)了俩(liǎng )家(😃)祖上(shàng )真正的历(🌑)史。丁犟(jiàng )人和张(zhā(🐐)ng )忠厚师兄弟(dì )变(🐱)成结(jié )拜(🚐)兄弟，张兴(〽)旺在众(🕑)人笑(xiào )声中拿出(chū(😄) )了贴身带着的空白合同。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.