愤青8.

A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.

20世(shì )纪(jì )福(🌹)(fú )克斯(📻)最近(👿)买下了(🧙)Alma Katsu下部小说《饥(🔴)饿》（The Hunger）的电影版权(👍)(quán )，这(🖨)(zhè )部小(🕹)说以《行(〽)(háng )尸(shī )走肉》的风格叙述了北美(🎪)历史(🏯)上最恐(🐌)怖的一(🎛)段“食(shí )人(rén )”历史。

It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.

德(dé(🗃) )蒙(méng )特(⏲)·莫(🏺)罗尼、(😎)理查德·哈蒙加盟惊悚片[千次(👈)伤我心(🤵)(xīn )]。该(⛷)(gāi )片(pià(⏳)n )根据丹尼(ní )尔(ěr )·沃特斯的同(🍊)名小说(📵)改编(😌)。斯科特(🍙)·斯皮尔([舞(⤵)出我人(rén )生(shēng )4])执(zhí(🌟) )导，贾森(🚵)·福(🈷)(fú )克(kè(🖼) )斯编剧，贝拉(🦆)·索恩主演。该片设(🏅)定于洪水劫(🐭)难之(zhī(🗼) )后(hòu )，鬼怪族群“残(cán )渣”出现。多年(🔫)后，这(👄)些族群(👲)恐吓年(✌)轻女子(索恩饰(shì ))，而(ér )她(tā )必须(🛬)冒险(🛃)找(zhǎo )到(🕢)(dào )生存之路。

Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again?

曾經意氣風發的刑(🚈)警豪哥(🎪)，數年(✈)前因一(🦕)(yī )樁(zhuāng )殺(shā )妻(qī )案的偵辦(bàn )疏(🐨)(shū )失(shī(🌃) )而遭(🛢)受打擊(🎟)，再也不到前(🈲)線偵辦。突如其來的(💕)『未(wè(🍭)i )成(ché(📶)ng )年(nián )少(😝)女砍人案(à(🌋)n )』，卻再度將他捲入(🌤)深黑的(🌊)漩渦(🌓)中。

多摩(🔗)湖のほとりで男(nán )性(xìng )の遺体(🈵)が発(🔉)(fā )見(jià(🆘)n )された(😚)。遺体の身元は、株式会社橋本(📞)商事(🌏)の社長(🦊)(zhǎng )である橋本圭一（山(shān )上賢(🚺)治）と(🥦)判明(⏭)。死因は(🔮)頭がい骨の骨折による失(shī )血(💦)(xuè )死(sǐ(📽) )で、(🎍)後頭部(💻)(bù )を鈍(dùn )器(🥠)のようなもので殴(🏑)打され(👴)てい(💛)た。身元(📱)確認に来(lá(🏍)i )た社(shè )員の伊藤（(💛)浅(qiǎn )香(🐒)(xiāng )航(📐)大）に(😱)よると、橋本は最後の電話で(🐸)、兵(💙)庫の「(👏)丹(dān )波(🦖)(bō )篠山」にいると言っていた(🎰)とい(🐪)う。遺体(😭)が発見された東京の多(duō )摩(mó(🕹) )湖(hú )か(⏮)らは(🥡)距離(lí(🌨) )があることから、別の場所で(🌯)殺害さ(🏚)れた(🐅)後に遺(💴)棄された可(kě )能(néng )性がでてき(🔂)た…。

印(💦)度每(🚁)年有超(🚤)过二万宗针(🤖)对女性的暴力罪案(🚨)，平(píng )均(🎀)(jun1 )每二(🕰)十二分(😎)(fèn )钟(zhōng )就(jiù )有一名女性被强暴(🐟)，每六(🥚)小时就(⛴)有一名(🔄)妇女因家庭(tíng )暴(bào )力(lì )丧命。年(🐖)轻(qī(🕎)ng )的(de )基层(🉑)女警索妮与上司卡帕纳在德里(🏔)一同接(🔞)手调(🎸)查不(bú(💬) )同(tóng )的(de )女(nǚ )性暴力事(shì )件(jiàn )，在(🍘)办案过(🈷)程中(🎺)往往遭(🔆)受到了重大阻力，无日无之的(de )罪(🚽)(zuì )案(à(🕚)n )令(lì(🎞)ng )她脾气(🛹)暴(bào )躁(zào )，做(🕯)事方式偏离常规，被(⏬)裁定在(😒)执勤(👰)中行为(😪)不当，而(ér )私(sī )人(rén )生活也影响(🎿)(xiǎng )到(🥌)(dào )了(le )她(🏁)的职业(🈹)表现，与丈夫已经彼此疏离，却要(🕖)被迫(🐛)面(miàn )对(✖)(duì )他(tā )突然的到访(fǎng )。印度电影(🙎)少见的(🍰)写实(🗯)题材，以(⛏)一场一镜营造出真实(shí )迫(pò )力(📙)(lì )，将社(😺)会低(🎃)(dī )下(xià(📽) )层(céng )女性受到压迫的问题表露(📤)无遗。

Tout va pour le mieux dans la vie sans histoires de Fanny... jusqu'au jour où(🎠) elle découvre que son fils ché(🥊)ri, Arthur, 9 ans, est le bouc émissaire de trois garçons de son é(📊)cole. Fanny ne laissera pas seul son fils face à ses petits bourreaux : elle va rendre à ces sales gosses la monnaie de leur pièce. Coups fourrés et piè(🔻)ges de cours de récré, désormais ce sera "oeil pour oeil et dent pour dent".

When a couple visits a remote cabin and cross paths with a compulsive liar, their vacation takes a dramatic turn for the worse.