After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
Naples, Achille Tarallo, bus driver and father of three, implements his modest income by singing at weddings. He's part of a trio, along with his two inseparable friends Cafe and Pennabic. ......
一个慢性梦(mèng )游者从(🐍)(có(🧥)ng )一(🏰)本(🧕)神秘的书(shū )中读到(dào ),这(👏)本(🌦)书(📅)预示着即将(jiāng )到(dào )来的(⏳)恶(😙)魔占有。然(rán )后他努(nǔ )力将(🚢)他(♓)的家人(rén )团结在(zài )一(yī )起,因(🤘)为(😋)古(👆)老的邪(xié )恶威胁(xié )要消(🧚)耗(🦊)他所珍(zhēn )视的一(yī )切。
印度(🙉)每(🖱)年有超过(guò )二(èr )万宗针对(😁)女(💩)性(🔲)的(🎤)暴(bào )力罪案(àn ),平均每二(🦂)十(💒)(shí )二分钟(zhōng )就(jiù )有一名女(😵)性(😉)被强暴(bào ),每六(liù )小时就有(⏸)一(🤪)名(⏰)(míng )妇女因(yīn )家庭暴力丧命(🏻)。年(⤵)轻(🕝)(qīng )的基层女警索妮与上(🐞)(shà(🌠)ng )司卡帕(pà )纳在德里一同接(🕐)手(🆒)调(diào )查(chá )不同的女性暴力事(📤)(shì(🏔) )件(⌛),在(zài )办案过程中往(wǎng )往(🗄)遭(🏺)受(shòu )到(dào )了重大阻力,无日(🏉)(rì(✏) )无之的(de )罪案令她脾气(qì )暴(🍆)躁(😑),做(🏁)事(🌉)方式偏离常规,被(bèi )裁定(🛣)在(😥)执勤中行为(wéi )不当,而私人(🧔)生(👘)活也(yě )影响到(dào )了(le )她的职(🔔)业(🌦)表现,与(yǔ )丈夫已(yǐ )经彼此疏(🚽)离(⛰),却(🥛)要被(bèi )迫面对他突然的(⛏)到(🚷)访(fǎng )。印度电影少见的写(xiě(📕) )实(⛴)题材(cái ),以一场一镜营造出(chū(💸) )真(👫)(zhē(🏾)n )实迫力,将社会低(dī )下层(👆)女(🎟)(nǚ )性受到压迫的(de )问题表(biǎ(🧖)o )露(👗)无遗。
Wolfgang.Amadeu.Mozart: