Six individuals end up in a Hotel in the middle of nowhere with a very eccentric caretaker. They haven't arrived by accident. Age old, evil powers are within the hotel and behind the walls a deep dark secret hides. They have to survive the night but not everyone is whom they seem.
ユミは夫と(🎇)娘の3(🍈)人暮(🕕)らし。近(jìn )々引(yǐn )っ越し(💭)を考えてい(🤲)る。ユミは娘のレ(🏅)イナが(🕵)時折(🉐)(shé )うわ言を発すること(🕵)が、少(shǎo )々(🎇)気にかかってい(🍘)た。転居(👖)の報(🙇)告も兼(🏈)ねて友人ヒロミ(🍐)と久々に再(🚛)会(huì )するユミ。話(🥂)題(tí )は(🔣)いつ(⤴)しか「(🦖)あの日(rì )」のこ(🍚)とに。「私た(💫)ちが埋(mái )めた時、本当(📰)に死んでた(🐮)のかな?」。ユミ(⚽)は「あ(🚕)の日(🛥)」のことを清(qīng )算すべ(💘)く、サエ、(🅾)アコにも再会(huì(👪) )を決意(💂)し、(🔊)廃墟(xū )のような家に一(🙂)人で住むサ(📱)エに会いに行(há(🎸)ng )く。サエ(🥛)は、(🍻)見知ら(🚋)ぬ少女(nǚ )が現(xià(🐇)n )れて娘だと(🐺)言って聞かず、(🉐)しばら(🅾)く一(🚃)緒に暮(🆔)らしていたが死(🧐)んだこと、(🚽)そして少女は死んだま(😄)まその家の(👘)3階(jiē )に寝かさ(🚝)れてい(👍)ると(✂)いうことを話し出す。(C)「(🛰)黄(huáng )泉がえ(🎾)る少女」製作(zuò(🅾) )委員会(🗽)
30岁的(🤪)(de )屌丝青年李星辰(chén )遭遇(🔀)(yù )感情伤害(🚄)后整日(rì )花天酒(🕛)地,靠着(🐻)自己(😗)(jǐ )口才(🤡)和(hé )坑蒙(méng )拐骗(🤭)开了一间星(🔘)(xīng )座的(de )咨询室,生(🈲)意一(yī(🤙) )般,但(🧟)自由(yó(🤥)u )自在无拘无束的(🤴)(de )生活(huó(✈) )着。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
麦(🐞)昆本想给(gěi )女友来一场(❗)(chǎng )创意十足(🤾)(zú )的求婚(hūn ),但(dà(🎃)n )在毫无(🏘)预兆(🚟)的情(qíng )况下结束了一场(🈂)轰轰(hōng )烈烈(🐌)的(de )爱情(qíng ),结局悲(🧒)惨而可(🖋)(kě )笑(🔸)……在经历过失恋(liàn )博(🚅)物馆中的(de )种(🎷)种“失败”后(hòu ),麦(mà(⌚)i )昆放下(🕎)了,觉(📄)得(dé )那(🐌)段失败的爱情反(🕵)而(ér )激励了(📅)(le )自己(jǐ ),让自己学(🤜)会了(le )如(✊)何(hé(🔪) )去爱一(🐂)个人,用(yòng )什么样(🔄)的方(fā(✍)ng )式让(🔛)双方相处,也明(míng )白了自(🐳)己该选择(zé(⛩) )去爱一个什(shí )么(💕)样的女(🏹)(nǚ )孩(🛵)。
A troubled streetwalker meets a mysterious hitman. Together they go down an action-packed rabbit hole of sex, violence, lies, and synchronicity.
A young couple picks the wrong hideout while trying to elude the police.
藝(yì )術家(jiā )自古皆寂寞(📌)或許(xǔ )是境(🦎)界,人到中年萬(wà(✅)n )事憂則(🦗)(zé )是(⏺)現(xiàn )實。在畫室洋洋(yáng )灑(⛲)灑(sǎ )呈現自(👔)由雄風的(de )裸男畫(🕶)作令(lì(🏣)ng )他一(🎃)舉成名(🥟),在(zài )家面(miàn )對前(😼)妻懷着新歡(📉)(huān )骨肉、與女兒(🤬)相處尷(🚅)(gān )尬(🤸)卻令(lì(🍩)ng )他一(yī )籌莫展。貝(🚟)蒙特(tè(🚲) )的寂(🕜)(jì )寞,在於如何在(zài )著名(🤛)畫家與(yǔ )單(🥟)親爸爸雙重身(shē(🌺)n )份、藝(🛐)術創(📅)作與家庭(tíng )生活之間取(💇)(qǔ )得平衡。維(✉)羅(《電(diàn )影就在(📊)街角》,35 屆(🎾))找(🚜)來合作多年的(de )編劇兼(jiā(🥐)n )美指(zhǐ )好友(😰)對號入座,還原(yuá(📱)n )藝術家(🐹)有血(🤠)有肉(rò(🌫)u )的矛盾本性(xìng ),在(🏺)出世與入世(🛍)(shì )的兩(liǎng )難外,毋(🕔)忘點點(🏤)(diǎn )超(❌)現實的(🍗)幽默。