the saturdays6.

喧(🗞)嚣(xiāo )的都市(📧)中(🏟)(zhōng )，在碟店(diàn )打工的男(🆕)(nán )主角阿正(zhè(🎋)ng )与都市白(bá(👩)i )领(🍭)小美邂(xiè )逅(🌰)，两颗(kē )寂寞的心(xīn )渐渐(🕎)走近(jìn ),直至(📂)两(❔)人(rén )之间的(💣)交(❇)往被(bèi )一个中年(nián )男人发现(xiàn )，阿正(🧗)被(bèi )其找人(🚅)暴(🐝)(bào )打之后，两(👚)个(👨)带着(zhe )创伤的身(shēn )体才(🤜)最终越过了底(🐓)线。 阿正天真(🚓)地(🛷)认为这种暧(🏏)昧关系即代(dài )表着一种(🤞)(zhǒng )情感的承(🍍)(ché(🌞)ng )诺，而小(xiǎo )美(👡)或(😖)许只(zhī )是将其作(zuò )为(🏔)一种愧(kuì )疚下(👸)的补(bǔ )偿、(👊)一(❔)段(duàn )临时的(🏈)慰(wèi )藉，甚至(zhì )从未对阿(😊)(ā )正产生过(🆗)(guò(🐯) )所谓的的(de )“爱(🏀)”。

Wolfgang.Amadeu.Mozart:

武(🔓)则天登(dēng )基前，“无头神将”怪(guài )物奇袭(😓)皇(huáng )陵，屠杀(🐲)(shā(🉑) )官兵和工(gō(✍)ng )匠(🎗)。武后(hòu )派民间神(shén )探(🏝)狄仁杰(jié )调查(🏷)此案(àn )。狄仁(🏬)杰(🚚)多次涉险后(✋)终于发现幕后黑手的身(🥚)份和无头神(💈)将(🍞)(jiāng )的真面目(🙎)(mù(🔌) )。敌人袭(xí )击祭天大(dà(💽) )典，狄仁(rén )杰摧(🥪)毁“无头神将(🎫)(jiā(🛸)ng )”，击溃(kuì )敌人(🗿)，保(bǎo )护了武后(hòu )。

阿軒意(🍳)(yì )外穿越回(🎷)(huí(🕜) )到了5年前(qiá(🔉)n )仍(🔲)在讀大(dà )學的時期(qī(💻) )，正是他(tā )與女(👸)友 Joyce第一次邂(🤼)逅(✝)的日(rì )子。阿(😎)軒(xuān )認為這是(shì )上天給(🖇)他(tā )的一次機(📃)(jī )會， 讓他(tā(🕚) )阻(🐋)止父親(qīn )因沉迷賭(dǔ )博而鑄成大錯(🎤)、並救回5年(🕤)後(🌈)意外受傷昏(📟)迷(⏱)的 Joyce，從而改變自(zì )己的(🥂)命運(yùn )。然而，命(😛)運真的(de )可以(😡)改(👪)變(biàn )嗎？一(✏)切(qiē )又是否可(kě )以如他(📙)所(suǒ )願？

On the stage, where the premiere of the musical was supposed to take place, the drama broke out ... People went to the feast - cheerful, bright, but turned out to be face to face with death. They, who became hostages, who managed to pass a terrible ordeal, while preserving human dignity and courage - are ordinary people who have become heroes ...

Three strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.

藤(🚖)冈(🌤)(gāng )靛在片中(🛵)(zhō(👲)ng )饰演引发(fā )奇迹的正(🆒)(zhèng )体不明的(de )主(👺)人公拉(lā )乌(🕋)，尽(🛌)管(guǎn )他的国(🌗)籍(jí )与语言不明，但是温(🌪)暖(nuǎn )的笑容却(🐮)(què )有种不可(🕕)(kě(🔲) )思议的力(lì )量，影片(piàn )通过超越(yuè )国(🦔)籍与宗(zōng )教(😴)的(🎋)年轻(qīng )人们(🔺)的(🔒)友情，自然地反应人们(🎵)的生活。影片全(🐏)篇(piān )外景在(🚛)印(🥖)(yìn )度尼西亚(🥦)(yà )苏门答腊(là )岛拍摄，用(⬅)时一个(gè )月(🌗)。

UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.