A newly reunited young couple's drive through the Pacific Northwest turns into a nightmare as they are forced to face nature, unsavory locals, and a monstrous creature, known to the Native Americans as Oh-Mah.
Suchmos于(👳)2016年(🛳)10月(🙂)28日(🔵)(rì )在惠比寿LIQUIDROOM的(de )演出。收(shōu )录于二(èr )专THE KIDS的DVD中。
十多岁(suì )的米特拉是(shì )一位(wèi )雄心勃勃的(de )艺术家(✨),她(🤥)正在(zài )完成自己的梦想(xiǎng )作品(📗),也(⛔)就(🙀)(jiù(💰) )是(💒)拍(🗾)(pā(🍣)i )摄(🥫)一(💷)(yī(😶) )部(🕷)关于(yú )埃及传奇歌手及(jí )女星乌姆·库勒(lè )苏姆的电影(yǐng )。然而,为了更(gèng )真实地刻画乌(😞)姆(⛪)(mǔ )作为一个神话、一个女人和(hé(🤬) )一(🚢)位(⛱)艺(📯)术(🛤)(shù(👻) )家(💨)的(🥃)本(🌎)(bě(😦)n )质,米特拉把家(jiā )庭放在了事业之(zhī )后,她自己(jǐ )的人生斗(dòu )争与乌(wū )姆的融合在一起(qǐ ),使(🌤)她在情(qíng )感和(hé )艺术上面临(lín )崩(👞)溃(🚶)。
Eddie (Anthony Del Negro) and his friend Chris (Christopher Lenk) call out for an escort after Eddie's girlfriend (Isabella Racco) breaks up with him and moves out of their house. Little do they know that while Natasha is a breathtaking beauty, she's really a possessed doll created by a mad doctor (Don Scribner) in an unholy laboratory and built with the urge to kill and dominate the minds of others to kill for her.@
该(🔀)(gā(🕺)i )片(🦋)是(⛔)《海(🛵)蒂(🚲)和(⛄)爷(👿)爷(💰)》导(dǎo )演阿兰•葛(gě )斯彭(péng )纳最新力作(zuò ),一部德国版的(de )“饥饿游戏”!未来社会阶(jiē )级分明,制(🗺)度(🐶)将(jiāng )菁英与弱者划分(fèn )开来,前者(🎂)享(🔳)有(🍦)(yǒ(🌟)u )富(🗂)足(🔭)的(❔)生(📊)活(✔)(huó(👩) )与保护,后者则(zé )被遣送到拥挤脏(zāng )乱的底层地区。为了获得优(yōu )渥的资源(yuán ),各类(lèi )竞争(⛩)无(🕢)所不在。札克与娜迪获选(xuǎn )参加顶(🌺)尖(🏵)大(🍏)(dà(🥜) )学(🔲)保(👫)送(🏧)资(👱)(zī(🚽) )格(💮)的(🕜)体(tǐ )能训练营,他们(men )除了要合作(zuò )完成(chéng )各项任务,还得在个人表现(xiàn )上拔得头筹。相(xiàng )较(🥃)遵(🚼)守游戏(xì )规则的娜(nà )迪,向(xiàng ) 往自(💡)由(🔅)的(🈺)札(📅)克(🈁)开(🐭)(kā(🏘)i )始(🐙)质(⛴)疑(🌩)制度,两(liǎng )人的摩擦逐(zhú )渐升高:一本失(shī )踪日记、一起意(yì )外命案,不仅改(gǎi )变他们的(💫)命(🚣)(mìng )运,也揭(jiē )开扭曲(qǔ )体制下的私(🤧)欲(🏮)与(🦁)(yǔ(🚄) )谎(📠)言(😵)。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.