Stefan Gabriel (Martin Wuttke) ist Bademeister und engagierter Vater zweier sehr unterschiedlicher Töchter. Die 12-jä(⛴)hrige Jessica (Ella Frey) wird wegen ihres wenig mä(🕛)dchenhaften Aussehens oft für einen Jungen gehalten und hat mit einer ganzen Reihe Ticks zu kä(🕳)mpfen. Ihre drei Jahre ältere Schwester Sabrina (Emilia Bernsdorf) ist hingegen zwar hübsch, leidet aber unter einer schweren Krankheit. Im gleichen Maße, wie Sabrinas Zustand schlechter wird, werden Jessicas Ticks immer schlimmer, weswegen die jüngere Schwester einen Plan ersinnt: Ein spezielles Ritual, auf das die Geschwister in einem Buch gestoßen sind, soll fü(🏭)r Sabrinas Heilung sorgen, allerdings muss sie dafür Sex mit einem Jungen haben. Da ihrer älteren Schwester nur noch wenig Zeit bleibt, setzt Jessica nun alles daran einen Partner fü(⬜)r Sabrina aufzutreiben.
Six individuals end up in a Hotel in the middle of nowhere with a very eccentric caretaker. They haven't arrived by accident. Age old, evil powers are within the hotel and behind the walls a deep dark secret hides. They have to survive the night but not everyone is whom they seem.
Laura Wagner has a promising career as a young auctioneer, but her life looks set to fall apart when she's the victim of a rape. The rapist is a well-known and respected gallery owner, and the assault takes place after a cocktail party. Laura knows it's unlikely she'll be believed if she files a complaint. But that same night the gallery owner's wife is murdered at home, and the husband is a suspect. His alibi is that he was raping Laura. When the police ask Laura to confirm the alibi, she realizes she can take her revenge by letting her rapist be convicted of murder
曼道(dào )和他的(🐐)成年(nián )侄子杰克逊使(❇)用星体(tǐ )投射(🎭)来(📘)扭转(🍨)(zhuǎn )鬼魂在万圣(🌔)(shèng )节的死亡。
ユミは夫(🏧)(fū )と娘の3人(🌦)(rén )暮ら(🙈)し。近(jìn )々引っ(🕴)越(👎)(yuè )し(💢)を考えている(🦉)。ユミは娘のレイナが(🚬)時折(shé )うわ言(🧛)を(😫)発(fā(📫) )することが、(🕵)少々気(🦌)にかかってい(🌙)た。転居(jū )の報告(gào )も(🗒)兼(jiān )ねて友人(📕)(ré(🛋)n )ヒロ(🏏)ミと久(jiǔ )々に(🔰)再会するユミ。話題は(🔁)いつしか「あの日」(🉐)のことに。「私(👍)た(🎪)ちが(🐓)埋めた時、本(🔋)当(dāng )に死んでたのか(🥊)な?」。ユミは(💺)「あの(🛬)日」のことを(🏻)清(🕹)(qīng )算(🚛)すべく、サエ(🤠)、アコにも再会(huì )を(🚈)決意(yì )し、廃(🕤)墟(🍧)のよ(⛪)うな家に一(yī(🥟) )人で住(🧙)むサエに会い(✍)に行く。サエは、見知(💕)(zhī )らぬ少女が(📑)現(😕)れて(🤗)娘(niáng )だと言っ(📼)て聞かず、しばらく(🤳)一緒に暮らしていた(🎋)が死(sǐ )んだこ(🖤)と(🤚)、そ(🏿)して少女は死(🏕)んだままその家(jiā )の(🏊)3階に寝(qǐn )か(🌊)されて(🤬)いるというこ(🔺)とを話(🛰)し出す。(C)「黄(huá(🍇)ng )泉がえる少女」製作(📥)(zuò )委員会
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.