成长中父母也在日渐变老,我们会把这样(yàng )或那样(yàng )的无奈(nài )当做借(🧚)(jiè )口(👺),而(é(🎞)r )忽视(🤷)(shì )他(💥)们的(😃)(de )心理(👧)或(huò(💨) )身体(📮)的(de )健(📽)康状(📜)(zhuàng )况(🚛),当(dā(👶)ng )问题(😡)严(yá(🛅)n )重时(🖊)我们(🈳)又会悔恨自己的冷漠和粗心,孩子和父母之间永远(📼)存在(🏤)一种(🏮)不(bú(⛎) )公平(🐑),而这(🎀)种(zhǒ(🦄)ng )不公(😅)平(pí(⏪)ng )却又(yòu )以一种(zhǒng )不协调(diào )的姿势(shì ),却又(yòu )很和谐(xié )的存在(zài )着………
Ivan (Brian Jordan Alvarez) is an American Paint Artist residing in Colombia. He was visited by his best friend, Christian (Peter Vack) along with his younger brother, Cole (Morgan Krantz). Somewhere along the way, Ivan and Cole hit it off although Cole is not gay (so he says). Will older brother, Christian be okay with that? As they say, True Love Conquers All, even if it takes years.
和女友分手后,一位布鲁克林的音乐家回到了她住在中西(❗)部的(🅾)(de )妈妈(🌜)处(chù(🆚) )。她一(⌛)(yī )边(🥉)在家(😚)(jiā )乡(🏃)游(yó(💦)u )玩(wá(📀)n ),一(yī(🎏) )边在(🌆)一(yī(❗) )个老(👻)朋(pé(🖱)ng )友的(🔍)酒(jiǔ )吧演奏(zòu )赚点小(xiǎo )钱,一(yī )段意料之外的关系开始(🕘)发生(🕑)。
17歲的(🚍)莎拉(⛅)全心(🔦)投入(📸)學校(💍)的戲(😒)劇排練,赤裸(luǒ )地體驗(yàn )舞台上(shàng )和生活(huó )中的(de )暴力。當她試(shì )圖揭露(lù )深藏心(xīn )中的醜(chǒu )陋秘密(mì ),高聲呼喊卻孤立無援,於是在莎士(📷)比亞(🐄)和華(🚲)格納(🐟)的經(🥨)典劇(🔪)目中(🚮)尋找(🚗)寄(jì(❣) )託,她(🔵)(tā )想(🎓)握有(🍳)(yǒu )茱(💏)麗葉(🤒)(yè )的(🏁)匕(bǐ(💢) )首(shǒu ),想(xiǎng )跟隨伊(yī )索德的(de )腳步殉(xùn )情而去(qù ),當她(tā )站(💃)上舞(💭)(wǔ )台(🏬),她是(🐾)否能(✔)對世(🦁)界展(🎈)開反(🤶)擊,扮演的界線究竟在哪裡?
1891年,后印象派(pài )大师保(bǎo )罗·高(gāo )更在巴(bā )黎的(de )艺术圈(quān )已小有(yǒu )名气,但为文(wén )明社会(huì )的虚伪(wěi )与矫(🛹)情感(💍)到厌(💣)烦。对(💭)于原(🚳)始世(🏂)界的(👲)渴望(🕴)驱使(🗿)他离(🍫)开家(🍺)中妻(⛩)小,来(🌥)到南(🤦)太(tà(🏂)i )平洋(😠)的(de )大溪地(dì );准备(bèi )好为(wéi )追(zhuī )寻已(yǐ )久的自(zì )然、(☕)野(yě(❌) )性、(🌸)纯(chú(⛩)n )粹的(🥛)生(shē(🤭)ng )活与(🧙)创(chuà(🔦)ng )作环境(jìng )牺牲一切。忍受着经济上的贫困和精神上的孤寂,高更走进丛林(lín )深处,认识了(le )当地的(de )毛利人(rén ),邂(xiè )逅了原(yuán )住民女(nǚ )孩德胡(🎡)(hú )拉(🐄);一(😈)(yī )段(🔠)三角(😢)(jiǎo )关(😪)係也(🧡)(yě )若(🌘)隐若(🗯)现地(🚟)缓缓(🥑)浮出(📓)。这座(🖼)远方(🛌)岛屿(🦔)彷佛(✊)是他灵魂的故土,此处充满生(shēng )命力的(de )人物面(miàn )貌(🚇)与地(🤖)(dì )景(🥢)线(xià(😄)n )条(tiá(📏)o )都成(🔥)(chéng )为(😵)他的(☕)(de )缪思(🏉),激发他(tā )创作出(chū )艺术生(shēng )涯中最(zuì )具标志性的大师之作。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
A frame that says, 'Drink makgeolli (rice wine) here and the one you miss will return' is hung on the wall of a tavern titled The Return. The tavern's regulars miss their lost ones.