简介
对于威(🎂)斯特(tè )与他(tā )的(🍳)(de )搭档来(🧚)说，近(jìn )日道上的(🧤)纷扰(rǎ(🐈)o )看起来就像是(shì )一般的(💍)黑帮地(dì )盘斗争(zhēng )，但随(🍫)著警方(fāng )派出的卧底被(🔴)(bèi )逮，头号黑帮(bāng )索斯(sī(😢) )开始大肆(sì )活动，一一夺(💤)取其他(🆎)(tā )势力拥有的(🚯)神(👺)(shén )秘物(🧑)件，他们(men )才意(yì(🥔) )识(🥥)(shí )到有(🔠)人企图夺(duó )取(📡)神(🚩)一般的(😠)超(chāo )自然力量(🛏)，破(🎑)(pò )坏现(🔸)有的势力(lì )平(🔚)衡(🤱)。
An homage to European exploitation of the 60s and 70s. A man searches for his missing girlfriend, who has been abducted by a clan of vampires, led by an insane Nazi doctor. He must now battle this horde of bloodsuckers in order to retrieve the soul of the woman he loves, and save his own from eternal damnation.
该片讲(🗣)述了生(shēng )活落魄(🕝)、缺乏(🌙)(fá )自信的屌丝秦(⚽)(qín )峰通(👮)(tōng )过超级VR与虚拟世(shì )界(🆘)连接技术，穿越到经常玩(⏳)(wán )的游戏《虚幻(huàn )人生》中(🚔)各种冒险求(qiú )生的故事(🎟)。
叶(yè )苍受师傅之命(mìng )进(💥)入(rù )云(🌓)都照顾(gù )一位(🏁)故(😝)(gù )人，不(📇)想这位(wèi )故人(🏇)早(🌛)已亡故(👤)(gù )；叶苍本想(🧐)就(🤸)(jiù )此离(🈷)(lí )去(qù )，此时却(🤤)发(🌺)现(xiàn )一(🏓)名女子与自(zì(🌽) )己(🚌)有着太(💞)多的(de )命运纠葛，因(🛀)(yīn )此叶(🏡)苍(cāng )改变主意留(🗾)在(zài )了(🧒)云都；只是(shì )此时的云(👎)都风(fēng )雨飘(piāo )摇，荼攴与(😉)慕乘(chéng )风正密谋夺取(qǔ(🚄) )王权；而为了(le )维护那名(🏆)女子(zǐ )路凝霜(shuāng )，叶苍展(💱)现自(zì(🚰) )己超群的智谋(🚬)(mó(😹)u )，将大局(🏞)掌控(kòng )在自己(🐥)的(🎼)手中(zhō(🌵)ng )，终护(hù )的那名(🛌)女(⏪)子不(bú(⛴) )受丝毫损伤…(🌭)…(👆)
Ivan (Brian Jordan Alvarez) is an American Paint Artist residing in Colombia. He was visited by his best friend, Christian (Peter Vack) along with his younger brother, Cole (Morgan Krantz). Somewhere along the way, Ivan and Cole hit it off although Cole is not gay (so he says). Will older brother, Christian be okay with that? As they say, True Love Conquers All, even if it takes years.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
An elderly woman, a war veteran, recalls her experiences as a member of the all-female bombing squad nicknamed 'Nachtexen' (Night Witches) during World War II