简介
极具(✌)音(🏰)乐天赋的小(xiǎo )提琴(⌛)家Rose在作曲家(jiā(😉) )父亲(qīn )Richard死后继(jì )承了(🌥)他的大宅(zhái )子(🍽)，Rose在(zài )宅子中发(🥟)现(🐈)了(🐾)父(fù )亲所(suǒ )作的(🛶)(de )遗作中有一些(🔒)神(shén )秘的符(fú )号，在她(🦑)的助手(shǒu )Charles的协(➡)(xié )助下，Rose逐步破(🔷)解(👲)了(💀)这(😀)(zhè )些神秘(mì )符(😺)号，同时也(yě )牵(📘)扯(🦏)出(chū )她和父亲身后(🥡)隐(yǐn )藏的(de )惊人(🕧)秘密。
《特种保(bǎo )镖(🧖)2》以(➗)(yǐ(🥘) )丛林中无人区(👔)的(de )兵工(gōng )厂为(🈂)故(😩)事展开的据点(diǎn )，讲(⏳)述(shù )了佣兵小(✍)队因任务要(yào )求前往(⛽)荒无人烟(yān )、(🤸)危(wēi )险重重(chó(🧥)ng )的(⛩)工(🐗)厂，竟遭(zāo )遇刀枪(🎃)(qiāng )不入的“不死(🦄)军(jun1 )队”的包(bāo )围，全员陷(🎖)入危(wēi )机仍浴(📴)(yù )血奋战的故事(🕸)...
“NO BORDER 2D×(🧡)3D” を(🎄)キャッチフレ(🦁)ーズに掲げ、(🖊)2Dと(🏕)3Dの境目をなくすク(🐘)リエイティブ(👡)な活(huó )動を目指す(🏑)３(🍫)DCGプロダクショ(🚩)ン“Picona Creative Studio”。本作はどん(🥃)な(📚)ものでも捨ててみ(⏫)せるゴミ捨て(🥂)屋コンビと、魔法を(🚃)捨てたい魔女(🤩)(nǚ )が繰り広げ(⛹)る(💧)、(🤰)ファッション×(📗) ポップ× アニ(🌌)メ(〰)をキーワードに魔(🐏)法(fǎ )と科学(xué(🍖) )を絡み合わせた(🅱)ス(🤘)ラ(🔔)ップスティッ(🔬)ク・アニメー(✴)シ(🕐)ョン。同社(shè )が長年(⏰)(nián )温めてきた(🍖)オリジナル企画が、(🌨)ついに実(shí )現(🗡)！
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
阿黛尔和她(🕢)的(🏁)母(mǔ )亲孔(kǒng )查生活(🆗)在城郊的一个(🔡)(gè )贫民窟(kū )里。孔查的(🥃)丈夫是个(gè )可(💡)恶的暴徒，他(tā(🍰) )使(🐹)母(🕠)(mǔ )女俩长期生活(⏩)在暴力(lì )和虐(Ⓜ)待(🔗)(dài )之中。对此忍无(wú(🌂) )可忍(rěn )的孔(kǒ(🏪)ng )查决定不顾一切(👫)(qiē(👥) )风(🍇)险，偷走一大笔(⏱)钱，并带(dài )着女(🗳)儿(🏒)阿黛尔逃(táo )离。不幸(🥪)的(de )是，她们在出(⬛)(chū )逃中被(bèi )发现了。在(🔲)追捕(bǔ )过程(ché(📹)ng )中，孔查却意外(🚄)地(⬆)驾(jià )车撞死(sǐ )了丈(😂)夫……这场(chǎ(🦂)ng )逃离(lí )注定是一次冒(🎌)险，而(ér )母女俩(😆)(liǎng )竭尽全力，才(👠)能(🌿)挣(🍹)脱(tuō )一直禁锢她(⛵)们的(de )牢笼(lóng )。在(➿)这(🤥)段跨越生命的(de )寓言(🤔)中(zhōng )，力量、困(🤾)难、爱的(de )希望(wà(🎗)ng )、(👅)机(🔔)会和死亡如(rú(🤹) )影随形(xíng )。
Konstantin, a songwriter and master guitarist, runs away from numerous problems to the nature reserve Mikhailovskoye. Kostantin has long lost any way of income and has almost given up hope to be heard, living by sheer inertia and often drawing on alcohol.