《三女休夫》7.

中年建築師(😍)遇(🕯)(yù )上(shàng )人生(shēng )瓶頸(📐)(jǐng )，在家被老婆(🕥)嫌(🗽)棄，公司小開兔死狗(🌃)(gǒ(😄)u )烹。失(shī )業的(de )他(😯)在曼谷街頭驀然(💮)回首(🎠)，瞥見大象Pop Aye，憶起(🧘)(qǐ(😄) )歡(huān )快的(de )童年時光(🤬)，毅(👉)然買下大象(🌽)，卻(👂)(què )發現都(dōu )市生(shēng )活(👄)(huó )容不(bú )下他(🏡)倆，打算和老象一路向(🍉)北(běi )返鄉。這趟(🔈)(tà(🗡)ng )人(rén )與象(xiàng )的公路(🍉)之(🥠)旅，途中狀況不(🎣)斷，所幸萬(wàn )能的(de )象鼻(👇)領著他倆，與沿(🔒)路(🍗)風景相伴。《爸(bà )媽不(📃)(bú )在家(jiā )》導演(🐌)陳(🏨)哲藝監製，阿比查邦(🏌)御(🔘)用剪(jiǎn )接操(cā(✔)o )刀(dāo )，看(kàn )擅長冷(👱)幽默(♓)的才女導演陳(🦕)敬(🍡)音，用象(xiàng )鼻對(duì )抗(📼)(kà(😟)ng )中年(nián )危機(⏱)！將(🗳)泰國鄉下的荒涼風景(⛄)(jǐng )，轉變(biàn )成一(😚)(yī )首(shǒu )洋溢(yì )著淡淡(🏵)霓虹光芒的自(🔪)我(☕)蛻變之(zhī )歌。

《莫霍(huò(🎐) )克(🔕)(kè )人》立意为历(🦂)史剧，发生于1812年第二(è(🌕)r )次独立(lì )战争(🔎)(zhē(👮)ng )接近尾声之时，但随(🔍)着美国原罪在(🛳)眼(🥧)(yǎn )前(qián )展开(kāi )，由(yó(📞)u )此(🛒)产生的神秘色(⏮)彩和恐怖效应让(⏱)这部(🤪)(bù )影片(piàn )真(zhē(🎞)n )正(🔷)成(chéng )了令人毛骨悚(🔹)然(🚓)之作。

一位亿(🏗)万(✂)富翁(wēng )探险(xiǎn )家(jiā )将(🔓)一(yī )艘单人潜(📬)水艇带到海洋深处的(🍳)(de )“午夜(yè )”地(dì )带(🐑)(dà(🤛)i )，寻(xún )找难以捉摸的(🐖)巨(📗)型鱿鱼，但发(fā(🙎) )现了一(yī )个更(gèng )小(xiǎ(🍔)o )更致命的掠食(😬)者(💂)。

青年画家岸春自(zì(🍞) )小在内(nèi )蒙古(👯)(gǔ(🏚) )长大，当地的风土人(🚯)情(🐗)造就了他的艺(🎠)(yì )术(shù )才华(huá )。然(💅)(rán )而(🤔)在他的内心一(💜)直(🚜)有着一块难以抚平(👆)(pí(👶)ng )的伤(shāng )痕(hé(🌷)n )，过(💤)(guò )早缺失的母爱让这(🏐)位人前光鲜的(♑)艺术(shù )家在(zài )情(👜)(qíng )感(🔲)里(lǐ )陷入迷失(😀)，常(🎖)以酒精为伴麻醉(zuì(🚀) )自(⚡)我。当受(shòu )一(yī(👎) )位蒙(méng )古老人所托，为(🏔)他英年早逝的(🤯)(de )母(📡)亲画(huà )一幅(fú )肖(xiā(🥑)o )像，这个母亲的(👏)肖(🐂)像却怎么都画不(bú(🔯) )出(🐊)(chū )神。对于(yú )母(🕧)爱缺少感触与理(🏋)解，成(🛴)了他无法落(luò(📗) )笔(👐)(bǐ )的难(nán )题。心烦意(🙄)乱之时，岸春遇(🦁)到(🎶)了单身妈妈(mā )如西(xī(📚) )，如西(xī )和儿子(🌻)的温情不仅让他(🚺)感受(🛤)到母爱的(de )温暖(🆙)(nuǎ(👩)n )也(yě )让他(tā )找寻到(💔)了(💥)爱情的味道。但(🎸)是，母亲到(dào )底为(wéi )什(🤟)(shí )么会(huì )从小(🤐)抛弃自己，在日日夜夜(🔍)的(de )叩问中(zhōng )，也(🗓)(yě(🐄) )在(zài )如西的介入下(🥠)，似(🖐)乎有了意想不(📊)到(dào )的(de )答案(àn )，岸(àn )春(🍇)也踏上寻母之(🦓)路(🚈)。母亲的肖像到底(dǐ(💥) )能(néng )否兑(duì )现(🍿)给(🧚)(gěi )蒙古老人的期盼？(🤛)岁月里母爱的(⛴)真相(xiàng )会怎(zěn )样(✏)(yàng )揭(🗓)开(kāi )？原来，岸(🛸)春(🤩)的母亲一直以一个(🤙)特(🦔)殊(shū )的身(shēn )份(🍒)(fèn )出现(xiàn )在他的生活(💘)里！面对时间、(😊)面(miàn )对生命(mìng )的脆(cuì(😼) )弱(ruò )多变(biàn )，只(🥎)想(🐥)向岁月祈求，时光你(🚺)慢(📇)(màn )些走，让儿(é(🔔)r )子还能记下母亲的容(🏮)颜......

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

In order to discover the truth about his brother's disappearance, a young man returns to his hometown to find answers.