简介
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
大龄(lí(📐)ng )未(🌻)婚青年：麦圣(shè(👏)ng )男（于谷鸣(míng )饰）、魏(📝)唯(⛓)（王(wáng )钰饰(shì(🚪) )）(🌄)和韩笑（唐(🎯)昕(❎)(xīn )）在假期聚首，三人(rén )为了给前去(qù )参(⛩)加(📂)(jiā )音乐交流(🍣)赛(🛡)(sà(🎊)i )的夏(xià )小亦(⛳)（(🕘)美加(jiā )佳饰(shì )）凑应援团，在(zài )“出租情侣(👖)”的(de )网店(diàn )下了(🍎)订(👠)单。机场(chǎng )内(🛌)一(🛃)番(🗯)啼笑(xiào )皆非的(📽)“认亲”后，一行人踏上了前往(🙃)威海的旅程。旅(🧗)行(🕕)中，中(zhōng )韩混(🐕)血(🎧)吉秀贤（袁昊(hà(📒)o )饰）对韩笑(xiào )暗生(shēng )好(🌁)感(🚇)，但心(xīn )思细(xì(➕) )腻(🦐)的他发现(xià(⛅)n )，其(🅱)(qí )实麦圣男与韩笑(xiào )情愫已生，只欠(qiàn )东(🎱)风(😵)(fēng )，凭着极高(📞)(gā(🐻)o )的(🙃)职(zhí )业操守(🌄)，他(🛩)(tā )决定(dìng )暗中推波助(zhù )澜，上演一出动人(💼)心(xīn )弦的攻爱(🌌)大(🖼)计划(huá )。几(jǐ(🍺) )番(👫)起(😰)伏曲折(shé )，圣(shè(🚨)ng )男终于鼓起(qǐ )勇气浪漫告(⚪)白，赢得了韩笑(💌)的(🔲)“美人心”。
阿黛(🌴)尔(🚙)和她的母亲孔(kǒ(📔)ng )查生活在城郊的(de )一个(gè(🚫) )贫(🛺)民窟里。孔查(chá(👖) )的(🔴)丈夫是个(gè(🧝) )可(🚜)恶(è )的暴徒，他(tā )使母(mǔ )女俩长期生活在(🍃)(zà(🎍)i )暴力和虐待(🚩)之(🎶)中(🎚)(zhōng )。对(duì )此忍(⛄)无(🗳)可忍(rěn )的孔(kǒng )查决定不顾(gù )一切(qiē )风险(😼)，偷走(zǒu )一大(dà(😕) )笔(🐢)钱，并带着女(⛅)(nǚ(🎧) )儿(⏮)阿黛尔逃离。不(🏯)幸(xìng )的是，她们(men )在出(chū )逃中(🍈)被发现(xiàn )了。在(🌅)追(🧝)捕过程(chéng )中(🖱)，孔(🛂)查却意外地驾车(🚦)撞死了丈夫……这场逃(💳)离(📏)(lí )注定是一次(📶)冒(🌪)险(xiǎn )，而(ér )母(🐖)女(🛷)俩竭尽(jìn )全力(lì )，才能挣脱(tuō )一直(zhí )禁锢(🏨)她(🏃)们的(de )牢笼(ló(🥏)ng )。在(🌔)这段跨越生(shē(🍞)ng )命(🛤)的寓言中，力(lì(🆘) )量、困难、爱的(de )希望(wàng )、(🦎)机会和死(sǐ )亡(🚓)如(🔱)(rú )影随形。
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
东(⚫)(dō(🚣)ng )国公(gōng )主五鹿飞(🔷)凰，为(wéi )报杀父亡国之仇(chó(🥒)u )，入(rù )宫接近北(🗑)耀(🗳)(yào )国王(wáng )炎(😄)漠(🚇)，却被(bèi )炎漠生死兄弟离(lí )山识破。飞凰设(😸)计(♌)让炎漠爱上自(🗄)己(🕵)并离间炎漠(💨)离(🔁)(lí )山，导致离山受(shòu )刑。后离山找炎(yán )漠寻(🛅)(xú(🗜)n )死，离山被(bè(💼)i )杀(🍛)。炎漠得知真(zhē(💺)n )相(💘)后(hòu )挥刀自尽(🦓)，飞凰(huáng )登基称王。
电影(yǐng )讲(🥋)述(shù )了天蛊门(📬)蛊(🤜)(gǔ )师蓝(lán )左(🛅)，于(✡)70年代(dài )初在(zài )苗(📥)疆逃亡时(shí )滚入(rù )未知山(🎠)洞。多年(nián )后，在(🧒)千(🌥)年一遇(yù )的(🔸)血(🥅)(xuè )月之夜，蓝(lán )左曾(céng )经的队友刘(liú )洪绑(🐏)架(👋)了8名至阴(yīn )女(🛁)性(🌠)炼“活人蛊”，企(💆)图(♏)复活上古时期的蚩尤，让血蛊门东山再(zà(🔆)i )起(🆑)、扬名世界(🐌)。就(👜)在(zài )此时，当年(✳)(niá(🍌)n )跳崖(yá )的蓝左(🍰)，返(fǎn )老还(hái )童成“小鲜肉”重(🥤)现人间，联手(shǒ(⛔)u )以(⛹)苗(miáo )医身份(❇)隐(🍗)匿(nì )江湖(hú )的妻(🔐)子蓝姨(yí )，高(gāo )校叛逆学生(🐗)(shēng )妹蓝(lán )湘婷(🚣)，与(🎡)刘洪对(duì )决(⛰)一(🎛)场大虫师之(zhī )异形(xíng )大战，以阻(zǔ )止这(zhè(🏴) )场(🈁)人间浩劫(jié )。
大(😀)龄(🚢)未婚青年(niá(🔺)n )：(🏅)麦圣男（于谷鸣饰）、魏唯（王钰饰）(🍔)和(🔸)韩笑（唐昕(🛂)）(🎞)在假期(qī )聚首(🚻)(shǒ(💻)u )，三人为了(le )给前(🔟)(qián )去参加音乐(lè )交流(liú )赛(♉)的夏小亦(yì )（(🔍)美(🏃)(měi )加佳饰）(🚘)凑(🕳)应援(yuán )团，在“出租(🎓)情(qíng )侣”的网店下了(le )订单(dā(😛)n )。机场内一(yī )番(🧘)啼(🆙)(tí )笑皆非的(🐩)“认(🍋)亲(qīn )”后，一行人踏(tà )上了前往威海的(de )旅程(💔)(ché(🍐)ng )。旅行中，中韩(há(📚)n )混(🗳)血吉秀贤(xiá(🗣)n )（(🛵)袁昊饰）对韩(hán )笑暗生好感，但心思细腻(🕡)的(💢)他发现，其实(👋)麦(🍣)圣男与韩笑情(♐)愫(✈)已生(shēng )，只(zhī )欠(🏮)东风，凭(píng )着极(jí )高的职业(🎢)操(cāo )守，他决定(🧑)暗(⛵)中(zhōng )推波(bō(🌷) )助(🚒)澜，上演一出(chū )动(😸)人心弦的攻爱(ài )大计(jì )划(🥃)。几番起(qǐ )伏曲(😷)(qǔ(♐) )折，圣男终(zhō(♋)ng )于(🚺)鼓(gǔ )起勇气浪漫(màn )告白(bái )，赢得了韩笑的(💣)(de )“美(🌧)人心”。
少(shǎo )年莊(🎇)(zhuā(🌱)ng )崇斌無法忍(🧑)(rě(😭)n )受同(tóng )學的欺凌，決定(dìng )跳樓結束受(shòu )欺(✒)凌(🎳)的生活，警察(➖)趙(♟)順昌及時出現(💶)，給(😺)了少年鼓勵和(🛒)勇氣。
德蒙(méng )特·莫罗尼、(✈)理(lǐ )查德(dé )·(🛳)哈(📊)蒙加盟(méng )惊(🕶)悚(🚸)(sǒng )片[千次伤我(wǒ(💽) )心]。该片根据丹尼尔(ěr )·沃(❕)特斯的同名(mí(🔗)ng )小(🤘)说(shuō )改编。斯(👦)科(🤘)(kē )特·斯皮尔([舞出(chū )我人(rén )生4])执导，贾(jiǎ(💔) )森(🍷)·福克斯编剧(💊)，贝(👷)(bèi )拉·索恩(🕉)主(🍖)演。该片(piàn )设定于洪水(shuǐ )劫难(nán )之后，鬼怪(🎌)(guài )族群(qún )“残渣(🎨)”出(Ⓜ)(chū )现。多年后，这(🐒)些(🕜)族群恐吓年轻(🔔)女子(索恩饰)，而她必须冒险(🗝)找到(dào )生存之(😔)路(🔦)。
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.