欺负1.

2033年，一名少女(👤)受困在(🍾)一間神祕的孤兒院(📽)。她(tā )穿(🖊)越時空回(huí(🥋) )到了(le )過(👖)去(qù )，尋(xún )找自己的(😲)親(qīn )生(🏪)父(fù )母，企(📶)圖要改(💸)變(📚)(biàn )過往、扭轉未(👈)來，或許(🐂)，她的人生將(🌴)有(yǒu )不(🈺)同(tóng )的發展。

從(cóng )高(🐨)峰(fēng )滑(🌛)落(luò )谷底(dǐ )，比從未(🚵)風(fēng )光過(guò )更難受(🐩)？前曼(🛰)聯(lián )球星(🚵)簡東拿變(📭)身潦倒(🥧)過(guò )氣藝(📊)術家尤(🍉)利西(xī )，那(nà )種時不(👚)我與(yǔ )的虛(xū )空落(🏯)(luò )寞盡(🤝)(jìn )在眉宇間。藝術(shù(🛹) )學生蒙(🌝)娜欲拜他為(💝)師，反過(🕺)來成了他重(chóng )生的(🔋)希望。發(😌)現(xiàn )身患(🤓)(huàn )絕症(🔼)(zhèng )後，他由蒙(méng )娜作(🧜)(zuò )伴，走(🎠)出隱居大(dà(🕉) )宅，尋訪(🏮)當年被他離棄的弟(🌩)弟及妻(🎦)兒，坦白(bái )致歉望求(🎱)寬(kuān )恕。感性(xìng )而不(🚰)(bú )感傷(🏦)，碧巴(bā )達(🤨)以(yǐ )不慍(🆚)不火的(🤴)圓熟(shú )技(🌗)巧呈現(🏪)破碎人生的悲(bēi )喜(📄)，冷不防遇上(shàng )慌失(😋)(shī )失劫(🅾)匪來個黑色(sè )幽默(👦)(mò )，也(yě(🕐) )未忘留下孩(🦖)(hái )子的(🏈)(de )善良，溫潤人間。

藤冈(🌬)靛在片(🐜)中饰演引(⬛)(yǐn )发奇(👧)迹的正(zhèng )体不(bú )明(🔸)的(de )主人(💘)(rén )公拉乌，尽(⏲)(jìn )管他(🍼)(tā )的国(guó )籍与语言(🔆)不(bú )明(🏵)，但是温暖的笑容却(🚣)有种不可思议的(de )力(🏉)量(liàng )，影(🛠)片通过(guò(⭐) )超越(yuè(🚚) )国(🧔)籍(jí )与(🛁)宗(zōng )教的(🎒)年轻人(🤧)(rén )们的(de )友情，自然地(🕴)反(fǎn )应人们的生活(😨)。影片全(🔻)(quán )篇外景在印度尼(🏺)(ní )西亚(🐗)(yà )苏门答腊(🚕)岛拍摄(🗣)(shè )，用(yòng )时一(yī )个月(🥢)。

光绪(xù(🕕) )推行(háng )维(😇)新新政(💧)，却遭到以慈善太后(📧)为首的(📥)保(bǎo )守派抵(🔋)触，光绪(👷)(xù )打算(suàn )依靠(kào )袁(🌯)世凯囚(🍞)禁(jìn )慈禧(xǐ )，被(bèi )袁(🌬)世凯出卖(mài )，慈禧将(🧔)光绪幽(➗)禁在瀛台(💴)，以慈禧(🤪)为(🌿)首(shǒu )的(🧙)保(bǎo )守派(🚽)开始铲(🏕)(chǎn )除支(zhī )持光(guāng )绪(🐘)推(tuī )行新政的朝(chá(🛐)o )中大(dà(👇) )臣和各界维新人士(🈸)。 慈禧为(🤤)笼络支持维(🍤)(wéi )新的(🐐)广州大将军(jun1 )，将(jiāng )和(💜)硕公主(🛺)赐予大(dà(🐒) )将军(jun1 )之(📯)子(zǐ )为妻。和硕(shuò )公(⛲)主抵死(🐷)不从。光绪央(🔞)求和硕(🏐)公主以和亲的(de )名义(👚)将维新(🍂)(xīn )革命(mìng )党一(yī )干(👸)人(rén )等秘密护送(sò(🌫)ng )到广(guǎ(🎋)ng )州，交由大(👂)将军(jun1 )将(🚖)他(🎛)们送至(⛱)香港，继续(🤬)维新革(🐋)命，和硕(shuò )公主(zhǔ )为(🐹)了大义答(dá )应下(xià(🔪) )嫁。

师兄(🧗)(xiōng )李昆在京剧(jù )演(📩)出(chū )中(🌛)打起了广告(👼)。师弟侯(🐸)广智觉得李昆侮(wǔ(📊) )辱了戏(😉)台，两人(ré(🎎)n )话不(bú(🏻) )投机分道扬镳。五年(😔)(nián )后李(🔪)(lǐ )昆靠演孙(🧝)大(dà )圣(🛅)走穴发家。侯广智则(😑)成了剧(🔦)团的孙大圣专(zhuān )业(🛡)户。 李昆(kūn )联系(xì )到(💓)一(yī )笔(🦊)生(shēng )意但(🐘)却需要(🖕)(yà(🤐)o )侯广(guǎng )智的帮助(🥐)。侯广(guǎ(🤪)ng )智答应李昆来见客(🛡)户—马老板。马老板(👀)(bǎn )最近(🐪)(jìn )迷上了一个(gè )网(🔷)红(hóng )，并(bìng )准备(bèi )为(🧐)她排一(👓)部(bù )《真(zhēn )假美猴王(🙅)三打白(🍤)骨精》。因为(⬆)这违反(🥒)了(le )京剧传统，侯广(guǎ(🛋)ng )智愤(fèn )然拒绝。李昆(🚶)偷(tōu )了(🔍)祖(zǔ )师爷(yé )的戏服(🤮)签了(le )合(🥒)同，愤怒的侯广智与(🎧)李昆再次决裂。但当(🈶)(dāng )侯广(🈵)智看到(dà(🔤)o )徒弟(dì(😭) )们(🌑)竭(jié )力招(zhāo )揽顾(💎)客时他(🧗)(tā )终于(yú )同意演出(🍳)。 试演(yǎn )当天侯广智(📢)潇洒上(👧)台，李昆内心对京剧(👚)(jù )的热(rè )忱被侯广(🥏)智(zhì )唤(📎)醒(xǐng )，他(tā )配合(hé )着(🏳)侯广智(📳)说(shuō )出了(🍘)(le )原汁原(👝)味的戏词。两人合演(🚶)了一版传统(tǒng )的《真(✉)假美猴(🍾)王(wáng )》，这一(yī )刻所有(📜)人都(dō(🌖)u )感受(shòu )到了(le )京剧的(🌐)魅力(lì )。

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

风度翩翩的(🐞)医生动(🛎)了色心，欲(🎳)迷晕少(🦍)女(🆔)但(dàn )错手杀人，险(🤱)被(bèi )送(🥞)上(shàng )断头(tóu )台，以为(💔)逃(táo )出鬼(guǐ )门关，岂(🏃)知魔鬼(⬆)(guǐ )已盯上他。战争前(🛅)夕，他被发配边疆，继(🦏)而(ér )被(🔃)奥匈帝国(guó )将领(lǐ(🛐)ng )重用(yò(✒)ng )，沉(chén )迷研(⏩)究麻药(🎡)(yào )乙醚(mí )。药物能麻(📛)醉止痛，亦能制造不(❗)知痛楚(🏴)(chǔ )不懂畏惧的科学(🎿)(xué )怪人(🌯)(rén )。而(ér )他心底的欲(〽)(yù )望，是想(xiǎng )找到完(🤘)全驾(jià(🍻) )驭他人灵(🔙)魂的方(🎠)法(🌙)。赞禄西继《色》（39 届(🈲)）后再(🌳)度审视(shì )传统(tǒng )道(🦍)德(dé )防线(xiàn )，两段式(❗)结(jié )构(⛏)揭(jiē )示妙手狂医跟(🌍)魔(mó )鬼握手的浮士(❣)德心路(🥇)，亦检视法西斯之(zhī(🎒) )兴起(qǐ(💝) )，绝对的权(🗾)(quán )力将(👄)(jiāng )令人(rén )绝对(duì )腐(🍆)化。

Small time criminal Jimmy from Malmö, dreams of making it big. All he has to do is to pull off the drug deal of his lifetime with the infamous crime boss Dragan. Things don't go as planned, and suddenly Jimmy becomes a wanted man on the run from the police. He turns to the girl he loves Josephine, and during a few unforgettable summer nights their passion stirs a storm of emotions. Jimmy has to put everything on the line to fulfill his dream, but his past comes back to haunt him. The two lovers have to make a decision that will change their lives forever.

After his mother's sudden death, Socrates, a 15-year-old living on the margins of São Paulo's coast, must survive on his own while coming to terms with his grief.

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.