简介
A troubled streetwalker meets a mysterious hitman. Together they go down an action-packed rabbit hole of sex, violence, lies, and synchronicity.
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
電影劇情是(shì )一部(bù )勵志愛情故事，講述(shù )男女主角兩人因(yīn )一次交(jiāo )通意外，女方失去記(jì )憶，男方因此有預(😯)知(zhī )未來(lái )能力。吳卓羲表(biǎo )示：「我哋呢套(tào )係一(yī )部愛(ài )情至上，又好凄(qī )美又(yòu )浪(💂)漫嘅愛情片，男女(nǚ )之(zhī )間又唔係牽涉床上戲(xì )嘅，溫馨鏡頭嘅床戲(xì )係有，都要睇劇本睇(🤟)(dì )下有(yǒu )冇需要攬呀錫呀(ya )，其(qí )實情侶關係必須(xū )要有(yǒu )嘅，如果唔係觀(guān )眾唔(én )知你係情侶。」
张乾救(jiù )了师妹苏樱(🐴)雪，在表(biǎo )白前却误杀了师弟，导致(zhì )了师妹的误会，两人(rén )阴差阳错来(lái )到现(xiàn )代后(hòu )，张(🚟)乾一直希望(wàng )得到(dào )师妹的原谅，却(què )没想到(dào )半路杀出一个长的很(hěn )像师弟的李一白(🧚)，三(sān )人的感情在这段错综(zōng )复杂(zá )且水土不服(fú )的现(xiàn )代生(shēng )活中闹出不少笑(xiào )话。
Three men struggle to save their relationship while traveling across country in search of a doctor they believe will make one of them well.
2033年，一名少女受(shòu )困在(zài )一間神(🍂)祕的孤兒(ér )院。她(tā )穿越時空回到了過去(qù )，尋找自己的親生父(fù )母，企圖要改變過往(wǎng )、(⏸)扭(niǔ )轉未來，或(huò )許，她的(de )人生將有不同的(de )發展(zhǎn )。
都说男人一有(yǒu )钱就变(biàn )坏，女人一变坏(🍲)就有(yǒu )钱，这句话用在张宝(bǎo )文和他的秘书身上绝(jué )对合(hé )适。张宝文(wén )原本(běn )有一(yī )个非常好的前程(chéng )和家(jiā )庭，但(👩)是他却不(bú )珍惜(xī )，与自己的秘书(shū )走到了(le )一起。这一段办公室(shì )的恋情导致了张宝文(wé(🏰)n )在事(shì )业上和家庭上彻(chè )底破(pò )碎。秘书的(de )贪婪(lán )最终(zhōng )落到过街老鼠人(rén )人喊(hǎn )打的(🎶)地步。当张(zhāng )宝文重(chóng )新回归家庭的时候，一个熟悉的面孔站在(zài )了门口挡住了他的视(shì )线。
藝術家自古(gǔ )皆寂(jì )寞或(🥌)(huò )許是境界，人到(dào )中年(nián )萬事憂則是現實(shí )。在(zài )畫室洋洋灑灑呈(chéng )現自由(yóu )雄風的裸(📢)男畫作令他(tā )一舉成名，在家面對(duì )前妻(qī )懷着新歡骨肉、與女(nǚ )兒相處尷尬(gà )卻令(lì(🤔)ng )他一(yī )籌莫展。貝蒙特(tè )的寂(jì )寞，在於如何在(zài )著名畫(huà )家與單親爸爸雙重身(shēn )份、藝術創作與家庭(tíng )生活之間取(🚏)得平衡。維羅(luó )（《電影就(jiù )在街(jiē )角》，35 屆）找來合作(zuò )多年(nián )的編劇兼美指好(hǎo )友對(duì )號(🦆)入座，還原藝術家有(yǒu )血有肉的矛盾本性，在出世與入世的兩難(nán )外，毋忘點點超現實(shí )的(📇)幽(yōu )默。