ユミは夫(🈶)と(👾)娘の3人(rén )暮(📱)ら(🎏)し。近々引っ越(yuè )しを考えている(🗡)。ユ(🔬)ミは娘のレイ(⛄)ナが時折うわ言(🚶)(yá(🈁)n )を発すること(🎀)が(🌔)、少々気にかかっていた。転居の(🌰)報(🔮)告も兼ねて友(yǒu )人ヒロミと久(✡)(jiǔ(🍏) )々に再会する(💎)ユ(🧣)ミ。話題はいつし(💷)か「あの日」の(🚴)こ(👲)とに。「私たちが埋めた時、本(🏵)(bě(🍮)n )当(🚛)に死んでた(👑)の(👒)かな?」。ユミは(🎄)「(😁)あの日」のこ(🐛)と(🙏)を清算すべく、サエ、アコにも(🚶)再(😐)会を決意(yì )し(🌈)、廃墟のような(😎)家(🙆)(jiā )に一人で住(🔍)む(📌)サエに会いに行(háng )く。サエは、見(🚨)知(🚬)らぬ少女が現れて娘だと言っ(🕞)て(Ⓜ)聞かず、しば(🎁)ら(⚫)く一(yī )緒に暮ら(🥙)していたが死ん(♍)だ(🕯)こと、そして少女は死(sǐ )んだ(🧣)ま(🆘)ま(🈹)その家の3(🌧)階(🐏)に寝かされてい(🏖)る(🍣)ということを(🦀)話(🏡)し出す。(C)「黄泉がえる少女」製作(🏷)委(㊙)員(yuán )会
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.
20世纪福(🍺)克斯(sī )最近(jìn )买(✌)下(🐀)了Alma Katsu下部小说(shuō(🍶) )《饥(🔹)饿》(The Hunger)的(de )电影版权,这(zhè )部小(xiǎo )说(🚚)以(🚿)《行尸走肉(ròu )》的风格叙述(shù )了(le )北(😄)美(🍛)历(🎦)史上最(zuì )恐(🔆)怖(🔋)(bù )的一段“食人”历(🚤)史。
東京國(guó )際(jì(🚱) )同(🚣)志影展參展(zhǎn )作品(pǐn )
“假如音乐(♿)是(🌶)爱(⛓)(ài )情的食粮(🛵),请(🎦)(qǐng )继续演奏吧!”以(➿)配(🆖)(pèi )乐著称并为(🐭)莎(🤰)士(shì )比亚爱情喜剧(jù )《爱的徒劳》及(🌁)(jí(📕) )《爱(ài )的胜利》((😧)即《无事生非(fēi )》)(😚)注(🚧)入无限活力的(🔦)(de )超(💹)人气导演克里(lǐ )斯托弗•拉斯(sī(👿) )康(⬛)贝(bèi )(Christopher Luscombe)携创作团队(duì )重返埃(🐅)文(⛺)河(🛏)畔(pàn )斯(sī )特(🧔)拉(🎎)福德的皇(huáng )家莎(📝)(shā )士比亚剧团,执(🌕)(zhí(🚘) )导莎翁另一部(bù )滑(huá )稽又心酸(🃏)的(🤳)单(🚋)(dān )相思(sī )爱(📁)情(🕟)故事:
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
印度(dù )每(📨)年(🏬)有超过二(èr )万(⏭)宗(🎡)针对女性的(de )暴力(lì )罪案,平均每二(🔛)(è(〰)r )十二分钟就有(yǒu )一名女性被强(🏪)暴(🏐)(bào ),每(měi )六小时(🥖)就(🔛)有一名妇女因家(jiā )庭暴(bào )力丧命(🔛)。年(🕘)轻的(de )基层女警索妮与(yǔ )上司卡(🏞)帕(📌)纳(🍩)在(zài )德里(lǐ(🔪) )一(🤩)同接手调查不(bú(🍪) )同的女性暴力(lì(🌲) )事(📣)(shì )件,在办案过(guò )程中(zhōng )往往遭(🌏)受(🌺)到(🚾)了重(chóng )大阻力(💠),无日(rì )无(wú )之的(🤢)罪(🗺)案令她(tā )脾气(🧒)(qì(🗑) )暴躁,做事方式(shì )偏离常规,被(bèi )裁(🥧)定(🌝)在执勤中行(háng )为不(bú )当,而私人(♟)生(🚵)活(huó )也影响到(🎣)了(🚻)她(tā )的职业表现,与(yǔ )丈夫(fū )已经(🏓)彼(🔔)此疏离,却要被迫(pò )面对(duì )他突(⛺)然(🚀)的(🌯)到访。印度电(👽)影(🕓)少见的(de )写实题材(📒),以(yǐ )一场(chǎng )一镜(📣)营(💛)造出真实(shí )迫力,将社会(huì )低(dī(😋) )下(🎇)层(💖)女性受到(dào )压(🕎)迫(pò )的问题表露(🚂)无(😌)遗(yí )。
The story of a bird charmer as he goes on to influence the lives of people while witnessing a change in his own.
一个慢性(📨)梦(📺)(mèng )游(yóu )者从一本神秘(mì )的书(shū )中(🏙)读(🎄)到,这本书(shū )预示着即将到(dào )来(🚚)的(😉)恶魔占有。然后(🚥)(hò(⏫)u )他努力将他的家(jiā )人团结在一起(😻)(qǐ(🎏) ),因为古老的邪(xié )恶威(wēi )胁要消(🏾)耗(💼)他(🥄)所珍视的一(🚬)切(⏯)(qiē )。
雷(léi )切尔和男(🚉)朋友分(fèn )手了回(🈂)到(🙎)家中发(fā )现室友把她的(de )床卖(mài )了(💅),于(📽)是她们俩(liǎng )只(🐉)能睡在一张(zhāng )床(💺)(chuá(👊)ng )上,在某个不(bú(🏼) )可(🐸)描(miáo )述的夜晚个夜晚(wǎn ),她两之间(👩)发(🍾)(fā )生(shēng )了一些事情,蕾切(qiē )尔动(🚦)了(🏁)真情,而(ér )室友(🎛)却(💨)觉得她(tā )太黏人,两个人(rén )的友(yǒ(🤸)u )谊(🍦)因同床共枕,而发生了微妙(miào )的(📗)变(🍩)化(🥄)。@橘里橘(jú )气(🥦)译(🈳)(yì )制组