A man and a woman lay side by side in bed. Who are they and how do they know each other? There is no one clear answer and that’s what makes this story interesting.
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
A man and a woman lay side by side in bed. Who are they and how do they know each other? There is no one clear answer and that’(🎹)s what makes this story interesting.
曾經(jī(🍶)ng )意氣風發的(de )刑(🔮)警豪哥(🏉)(gē ),數年(🎤)前(qián )因一樁(🐏)殺(👼)(shā )妻案(🏎)的偵辦(🕝)疏失而遭(zāo )受(🔚)打擊,再(🏺)也不到(🧒)(dào )前線偵辦。突如其來(💢)(lái )的『(🦋)未成(chéng )年少女砍(kǎn )人(📕)案』,卻(😠)再度將他(tā )捲入深黑(✍)(hēi )的漩(🔐)渦中(zhōng )。
在贝鲁特一个(🕑)街角(jiǎ(🍘)o )的咖啡店(diàn )二楼,有(yǒ(⛷)u )一面大(🌓)大(dà )的转角窗和(hé )一(🏹)台电视(🗳)(shì )机,一位(wèi )78岁的退伍(📸)(wǔ )将军(👣)和一位(🛑)(wèi )81岁的退伍(wǔ(🌑) )军医每(🥨)天(tiān )早(🚃)上都会(huì )在(🚜)这(🎅)里碰面(🐸)(miàn ),看着(🍰)街(jiē )角车来人(🎱)(rén )往,做(🈺)着(zhe )填字(🚜)游戏,以此对抗(kàng )阿茨(🌨)海默(mò(📡) )综合症。伴随两位老人(🤭)的玩笑(🏔)(xiào )和字谜,咖啡馆的(de )顾(😶)客纷纷(🍍)登场。本片(piàn )用发生在(🚓)(zài )一个(❇)社会(huì )小角落16天之内(😷)的一系(🍍)(xì )列事件,四两拨千(qiā(🌲)n )斤地讨(🖍)论(lùn )了人生、政(zhèng )治(🔖)、历史(🐯)(shǐ )等话(🍴)题;通过单场(🐀)(chǎng )景多(🚸)幕剧的(😞)(de )结构让人(rén )感(🔜)受到老(👤)(lǎo )人们(📲)的孤(gū )独,以及(🕢)疾(jí )病(✌)带来的(🎆)(de )苦涩,同(tóng )时映射出(chū(🤓) )黎巴嫩(🌾)暴力事件肆虐(nuè )的现(🏖)状。以小(🐢)见大(dà ),令人回味。
20世纪(♑)福(fú )克(🐸)斯最近(jìn )买下了Alma Katsu下(xià(🏨) )部小说(🕹)《饥饿》(The Hunger)的电影版(bǎ(📣)n )权,这部(🦗)(bù )小说以《行尸走肉》的(🥃)风格叙(🏔)(xù )述了北美(měi )历史上(🌕)最(zuì )恐(🕊)怖的一(🧛)段(duàn )“食人”历史(✏)。