During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
胡广川打赢(yí(🍑)ng )一(🙏)(yī )场合同违(wé(🏥)i )约案,败诉公(gōng )司(🔯)(sī )收到匿名(míng )信(🛎),指(🎥)出(❣)胡广(guǎng )川(chuān )收(🧥)买(🔭)证人(rén )作伪证(🔘)。胡广川(chuān )百口难(🙎)辩(biàn ),二审裁决伪(💰)证(zhè(🎒)ng )罪成立,律师执(🦀)照(🔪)被吊销(xiāo )。恰逢(🏷)黄薇(wēi )取得正式(✝)律师(shī )资(zī )格,她(🍉)深(shēn )信胡广川的职(🌜)(zhí(👗) )业(yè )操守,决(jué(🤣) )定(🕠)孤掷一注代替(💍)(tì )胡广开庭(tíng )
生(🏙)田斗真、瑛太(tài )主(🦉)演(💇)前少年犯题材(🍵)电(🔥)影《友罪》,改编自(🔫)药丸岳的(de )同(tóng )名(🕺)小说,由濑濑敬久(🐥)执(zhí(👡) )导(dǎo )。
“NO BORDER 2D×3D” をキャ(🕚)ッ(👠)チフレーズに(🍋)掲(jiē )げ、2Dと3Dの境(🕷)目をなくすクリ(🌊)エイ(🐿)ティブな活動(🏋)を(🔅)目指す3DCGプロ(🎖)ダクション“Picona Creative Studio”。本作(♐)はどんなもので(📬)も捨ててみせるゴ(🚚)ミ(🌜)捨て屋(wū )コン(🗃)ビ(🖐)と、魔法(fǎ )を(🆙)捨てたい魔女が(🧠)繰り広(guǎng )げる、フ(🏈)ァ(🆓)ッション× ポ(🏧)ッ(🗿)プ× アニメを(🔎)キーワードに魔(😔)法と科学を絡み(🥔)合(hé(🏓) )わせたスラッ(🕺)プ(🌖)スティック・(🏭)アニメーション(📟)。同社(shè )が長年温(🎿)(wēn )めてきたオリジ(🦄)ナ(🤤)ル企画が、つ(🌌)いに実現(xiàn )!
“假如(🛰)音(yīn )乐是爱情的(🤹)食(shí )粮(liáng ),请继续(xù(🌂) )演(🏽)奏吧!”以(yǐ )配(pè(♑)i )乐(💠)著称并(bìng )为莎(👑)士比亚爱情(qíng )喜(🖍)剧《爱(ài )的徒劳》及《爱(🗂)(à(🥐)i )的胜利》(即《无(📃)事(🚈)生非(fēi )》)注入(🔆)无限活力的超人(🦌)(rén )气(qì )导演克里(🈵)(lǐ )斯(🏵)托弗•拉斯(sī(🗒) )康(👳)(kāng )贝(Christopher Luscombe)携(xié(👕) )创作团队重返(fǎ(🗄)n )埃(āi )文河畔斯(sī(🤷) )特拉福德的皇家(jiā(🚌) )莎(⛔)士比亚(yà )剧团(👛),执导莎翁(wēng )另一(⬛)部滑稽又心酸的(🚉)单相(xiàng )思爱情故事(📚):(💕)
After being double-crossed by Hondo on her own ship, Maz tells some stories.