《国色天香》9.

摄影师(shī )王树(shù )因一(⏯)次“死亡拍(📶)摄”获奖(jiǎng )并一(🐋)举成(chéng )名(🚙)，于此(🏆)同(tóng )时他(tā )也断送了(😛)(le )自己(🌴)的摄影生(💆)涯(yá )。在舆论(lù(🎧)n )的审判下(🏏)，没有(yǒu )一家摄影(🚟)(yǐng )公司愿(🎓)意接纳他(tā )，王(🌪)树不(bú )得(📧)不转(🆎)行维持生(shēng )计，不想却(🙏)变成(🏔)(chéng )了网络(🙄)爆(bào )红的“审判(🙌)者”，并陷入(👿)(rù )了一宗扑朔迷(⛳)离(lí )的死(♑)亡绑(😈)(bǎng )架事(shì(🎙) )件，踏上了(🗿)(le )“心灵(🎿)审(shěn )判”的漫漫长路......

A troubled streetwalker meets a mysterious hitman. Together they go down an action-packed rabbit hole of sex, violence, lies, and synchronicity.

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

故事讲(👨)述(shù )一名(🔲)(míng )从医二十多(🤳)年的心理(😒)(lǐ )医(🏌)生(shēng )，发现无(wú )数人由(🖌)于怨(🚿)(yuàn )恨、沮(🤽)丧、抑(yì )郁、(👬)焦虑等负(🤩)面(miàn )情绪影响(xiǎ(🍴)ng )，而使自己(🎎)偏离(lí )了社会(🧗)生(shēng )活规(♓)范的(🍃)正常轨(guǐ )道，乃至(zhì )自(🥜)杀或(🔴)是杀人。心(😪)理医生跟患者(🛐)(zhě )徐...

An elegant dinner, which takes place in real time, brings together a group of intellectuals in the early 90s in São Paulo, Brazil: the hosts are the editor of the country's top news magazine and her husband, the company's lawyer,...

印(🉑)度(dù )每年有超过(📎)二万(wàn )宗(🔸)针对(🉑)女(nǚ )性的(♒)暴力罪案(🙎)，平均(🐇)每二(èr )十二(èr )分钟就有一(🏜)(yī )名女性(⏯)被(bèi )强暴(bào )，每(🚗)六小时就(😯)有一(⚓)名(míng )妇女(nǚ )因家庭暴(🔧)力丧(🍍)命。年(nián )轻(👮)的(de )基层女警(jǐ(🧙)ng )索妮与上(🧙)司(sī )卡帕(pà )纳在(✋)德里(lǐ )一(💕)同接手调查不(🐻)(bú )同的女(⛵)性(xì(🔯)ng )暴力事件，在办(bàn )案过(🍾)程中(🥙)(zhōng )往往遭(🈁)受到了重(chóng )大(🐜)阻力，无日(🍂)无之的罪案(àn )令(🚬)她脾气暴(😟)躁，做(👠)事方式(shì(🙈) )偏离常规，被裁(🈺)(cái )定在执勤(qín )中行为不当(📴)，而(ér )私人(👂)生活(huó )也影(yǐ(🕷)ng )响到了她(🏷)的(de )职(🚔)业表现(xiàn )，与(yǔ )丈夫已(🎭)经彼(🤶)此疏离，却(👽)要(yào )被迫面对(👉)他突然的(🎸)到(dào )访。印度电影(🛐)(yǐng )少见的(👂)写实(shí )题材(cá(✨)i )，以一场(chǎ(🎌)ng )一镜(🎸)营造出真实(shí )迫力，将(jiāng )社(👄)会低下层(🌗)女性(xìng )受到压(🤢)迫(pò )的问(☝)题表露无遗(yí )。

阿黛尔(ěr )和(🖼)她的(🍧)母亲孔查(🐔)(chá )生活在城郊(🖱)的一(yī )个贫民窟(kū )里。孔查(🙋)的丈夫(fū(🤒) )是个可恶(è )的(😋)暴徒，他使(🛷)母(mǔ(👑) )女俩长期(qī )生活(huó )在(🍀)暴力(🖨)和虐(nuè )待(⛅)之中。对此(cǐ )忍(🍈)无可忍的(🦒)孔查决定(dìng )不顾(🌝)(gù )一切风(🍲)险，偷走一大(dà(🐰) )笔钱(qián )，并(👹)带着(🥕)(zhe )女儿阿黛尔(ěr )逃离(lí )。不幸(💘)的(de )是，她们(🛑)在出逃(táo )中被(🏛)发现(xiàn )了(🏟)。在追捕过程(chéng )中，孔查(chá )却(🏎)意外(🥨)地驾车撞(🔄)(zhuàng )死了丈夫(fū(⛑) )……这场逃离注(zhù )定是一(🍱)次冒险，而(📆)母女俩(liǎng )竭尽(🕙)全力，才能(🙄)(néng )挣(♈)脱一直(zhí )禁锢她们的(🅰)牢笼(🍱)(lóng )。在这段(✌)(duàn )跨越(yuè )生命(🌦)的寓言(yá(🌿)n )中，力量(liàng )、困(kù(😬)n )难、爱的(🍟)希望、机会(huì(🔲) )和死(sǐ )亡(🌰)如影(🔩)随形。

The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people.