《边缘》7.

黄(huáng )河晋(jìn )陕大(dà )峡(⚽)谷的壮(🤑)阔背景(🎆)中，邵(shà(💑)o )兵姜(jiā(🗼)ng )武分饰一对警察大盗(dào )，江(jiāng )湖恩怨从20年前计起，又因故(gù )人之(zhī )女(🥧)再度重(🔳)逢。当(dā(🏂)ng )年的(de )枪(👙)声(shēng )改(💺)变了众人的命运，这一次(cì )追捕(bǔ )像轮回中的一场(chǎng )重逢(féng )，“有生以来，侠路(🚩)相逢，终(😇)不(bú )能(🧚)幸(xìng )免(😵)”。尘封的(⬛)秘(mì )密被(bèi )不断(duàn )牵出，往事的波澜再次(cì )起伏(fú )。巨(jù )石壁立，黄河(🎿)奔(bēn )流(🔊)，所见(jià(🔙)n )证的罪(🎍)恶与惩(🤾)罚、英勇(yǒng )与荣(róng )誉，是一段荡气回肠(cháng )、感(gǎn )慨唏嘘的英雄故事(🕸)，也是一(♒)(yī )段惊(❇)(jīng )心动(✖)魄的黄(👭)河边(biān )的残(cán )酷青(qīng )春......

In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.

盘古开天辟地之时在昆仑(lún )山丢(diū )下一颗种子，这(🕕)(zhè )颗种(🌎)(zhǒng )子吸(📂)(xī )收天(🐔)地之精(🕷)华结出一颗神果(guǒ )。传(chuán )说得到神果就拥(yōng )有盘(pán )古之(zhī )力，顿时三(🤹)界之内(📍)的神(shé(⛰)n )魔都(dō(💭)u )来争(zhē(🐋)ng )夺，可惜神果让(ràng )一头(tóu )法力(lì )无边的神兽看管着…

Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.

麦(mài )子的(de )丈夫(➖)马豆根(💢)在煤矿(😮)事(shì )故(🎺)中(zhōng )受(📈)了伤，完全瘫痪不能治愈(yù )，由(yóu )此引发出麦子跟(gēn )马豆(dòu )根和(hé )矿主老于(⬜)之间充(🤘)满悬疑(🆚)色彩(cǎ(⭐)i )的一(yī(😣) )场人性较量，麦(mài )子用(yòng )她的(de )坚贞和执着发现了美丽谎言(yán )背后(hò(⏳)u )的真相(🦊)，她对未(🗂)(wèi )来的(🏞)(de )生活(huó(🦃) )也不知会做出怎样的选(xuǎn )择。

印度(dù )每年有超过二万(wàn )宗针(zhēn )对女(📪)性的暴(🏠)力罪案(🐝)，平均每(🌊)(měi )二十(🕦)(shí )二分钟就有一名女性(xìng )被强(qiáng )暴，每六小时就有一名妇女(nǚ )因家(jiā )庭暴(💫)力丧命(💌)。年(nián )轻(🎯)的(de )基层(😳)(céng )女警索妮与上司卡帕纳在德(dé )里一(yī )同接手调查不同(tóng )的女(nǚ )性暴(bà(👻)o )力事件(🕐)，在办案(😘)过程中(💣)往往(wǎ(🏪)ng )遭受(shòu )到了重大阻力，无日(rì )无之(zhī )的罪案令她脾气暴躁，做事(shì )方(🎰)式(shì )偏(🏵)离常规(👧)，被裁(cá(🏩)i )定在(zà(🍞)i )执勤中行为不当，而私人生(shēng )活也(yě )影响到了她的职业表(biǎo )现，与丈夫已经(🔝)彼此疏(🍷)离，却要(🎚)(yào )被迫(🔭)(pò )面对他突然的到(dào )访。印度(dù )电影少见的写实题材，以一(yī )场一(yī )镜营造(💶)出真实(🔁)迫(pò )力(📄)，将社(shè(🎱) )会低下(🀄)层女性受到压迫(pò )的问(wèn )题表(biǎo )露无遗。

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.