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Wolfgang.Amadeu.Mozart:
《人尽(jìn )皆(👲)知(📖)》讲述(shù )了定居在(zài )阿根廷的(📖)西(xī )班牙裔女(nǚ )子劳拉和她(➰)(tā(🦓) )的丈夫及(jí )孩子回到西(xī(🛅) )班(🚥)牙小镇(zhèn )参加姐姐的(de )婚礼,然(⛑)(rán )而孩子却莫(mò )名失踪,这一(🖋)突(🆔)发事(shì )件使得原(yuán )本和谐(🖐)的(🔠)家(jiā )庭开始互(hù )相猜疑,尘(🔁)(ché(👶)n )封许久的秘密逐渐浮(fú )出水(👥)面(💊)……
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
本故事讲(jiǎng )述的是上(🔧)世(☔)纪(jì )90年代末(mò )发生在陕西(🍒)关(🤼)(guān )中农村的(de )童年故事。在以成(🍵)绩(jì )高低作为评(píng )判学生好(💠)(hǎ(🥕)o )坏的环境中(zhōng ),小学生(shēng )巴(🔟)王(🏷)超过在(zài )老师与家(jiā )长的眼(🤙)中是(shì )那种不学(xué )无术的“渣(🔑)(zhā(🏺) )滓”。得(dé )不到家长和(hé )老师(✉)认(🌷)同(tóng )的巴王超过(guò ),将田野(🌇)(yě(😊) )里一棵可以(yǐ )栖息的大(dà )树(😡)变(🍦)成了自(zì )己的“好地方”,并(bì(🚬)ng )将(⏪)所有“好玩”的东(dōng )西都藏在(🔇)了(🔦)那(nà )棵大树的(de )上面。孩子(zǐ )的(💉)天性,让巴王超过(guò )与成人世(📭)(shì(🐖) )界充满了斗(dòu )争,直到(dào )有(👙)一(🚛)天,他(tā )的处境因(yīn )为前来支(🐊)教(jiāo )的粉提老(lǎo )师而改变了(🆚)(le )!粉(🐂)提老(lǎo )师让他负责(zé )班级(💿)里(🚾)的(de )图书管理员(yuán ),同时他(tā(🎄) )也(📞)与女老师(shī )成了好朋(péng )友,他(🦓)的(🐟)“好地方”也成了女老(lǎo )师的(🚞)“好(🍍)地方”。然(rán )而好景不长,他在(🕙)粉(🐸)(fěn )提老师面前特(tè )殊的待遇(🥈)(yù ),又因为粉(fěn )提老师的(de )男朋(🥨)友(🌟)的到(dào )来而改变(biàn )了……(😯)
When a Foster Home is stricken by tragedy the few remaining children make a pact to always keep in touch.
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.
极(♏)具(jù )音乐天赋(fù )的小提琴家(⛵)(jiā )Rose在作曲家(jiā )父亲Richard死后继(jì(🥁) )承(➡)了他的(de )大宅子,Rose在(zài )宅子中(♉)发(🕘)(fā )现了父亲所(suǒ )作的遗作(🔃)(zuò(🔤) )中有一些神(shén )秘的符号(hào ),在(👔)她(🗜)的助(zhù )手Charles的协助(zhù )下,Rose逐步(🚤)破(💢)(pò )解了这些神秘符号,同时(🅾)也(🎵)牵扯出她和父(fù )亲身后隐藏(🛥)的惊人秘(mì )密。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
Tout va pour le mieux dans la vie sans histoires de Fanny... jusqu'au jour où elle découvre que son fils chéri, Arthur, 9 ans, est le bouc émissaire de trois garçons de son é(👮)cole. Fanny ne laissera pas seul son fils face à(💕) ses petits bourreaux : elle va rendre à ces sales gosses la monnaie de leur pièce. Coups fourrés et pièges de cours de récré, désormais ce sera "oeil pour oeil et dent pour dent".