简介
《驴为(wéi )媒(🛩)》故事发(fā(🎑) )生在当下鲁西(xī )大(🤧)地(🐫)上的聊(liáo )城市，讲述(🚧)(shù )的是(⌛)在(⏭)京打拼(pīn )多年的有(💔)志青年，得(🆘)知(zhī )老家惠民政策(🦐)(cè(🛏) )后，回乡(🥪)养驴、带领村(cūn )民(🐯)脱(📕)贫致富，实现自己创(⚾)(chuàng )业梦(💈)，并(🦃)赢(yíng )得(dé )爱情的故(⛑)事(shì );讲述(🎓)了党的(de )精准扶贫政(😁)(zhè(📠)ng )策(cè )和乡村振兴(xì(📖)ng )战略在(💾)齐(🙋)鲁(lǔ )大地的生动(dò(🍙)ng )实(shí )践，展(💶)现了(le )基层党员干(gà(🔘)n )部在全面(🧑)建(jiàn )成(chéng )小康社会(🏣)进(🕉)(jìn )程中的“主(zhǔ )心骨(⏰)”形象。电(🌆)影(🕷)《驴为(wéi )媒》坚持“小成(🐨)本、大情(🏧)(qíng )怀、正能量”的创(👁)作宗(zōng )旨(🔦)，紧扣当前(qián )乡村振(🐴)兴(⬆)和精准扶贫主(zhǔ )题(⤴)，将社会(🌜)效(♑)(xiào )益、价值引(yǐn )领(🥏)放在首位(🎛)(wèi )，引导人们努(nǔ )力(🛢)实(😷)现个人(rén )前途与国(👊)家(jiā )命(👀)(mì(🥧)ng )运、个体经(jīng )历与(🥔)时代大(dà(😲) )潮、个体情(qíng )感(gǎ(🏏)n )与国家情(🤷)感(gǎn )的同频共振(zhè(🖌)n )，激(🐈)励人们(men )向(xiàng )上向善(👢)，自(zì )觉(🐚)践(🌸)行社会(huì )主义核心(🔣)价值(zhí )观(💩)，讴歌党、讴歌人民(🦓)(mín )、讴歌(🥤)新时代(dài )。
印度每年(🧗)有(⛸)超过二万(wàn )宗针对(🎍)女性的(⛳)(de )暴(💥)力罪案，平均每二十(🍿)(shí )二分钟(🐧)就有一(yī )名女性被(🤵)强(🏊)(qiáng )暴，每六小(xiǎo )时(shí )就有一(🏰)名(✡)妇(fù )女因家庭暴(bà(🔆)o )力丧命。年(😒)(nián )轻(qīng )的基层女警(😄)(jǐng )索妮与(🔑)上司(sī )卡帕纳在德(🚘)(dé(🗓) )里(lǐ )一同接手调(dià(⏮)o )查不同(🚡)的(🔞)女(nǚ )性暴力事件(jià(🔌)n )，在办案过(🏋)程(chéng )中往往遭受(shò(🥦)u )到了重大(❓)阻力(lì )，无日无之的(🙎)罪(📦)案令她(tā )脾气暴躁(😈)，做(zuò )事(👒)方(🚡)式偏离常规，被裁(cá(⬇)i )定在执勤(📍)中行(háng )为不当，而(é(💺)r )私(🗨)人生活也(yě )影响到了她的(🌬)(de )职(🙅)业表现，与丈夫已经(✅)(jīng )彼(bǐ )此(⤵)疏离，却(què )要被迫面(🗑)对(duì )他突(🏜)然的到(dào )访(fǎng )。印度(📈)电(🔶)影(yǐng )少见的写实(shí(🐁) )题材，以(🥏)一(〽)(yī )场(chǎng )一镜营造出(🥜)(chū )真实迫(🌯)力，将社会低下层(cé(👺)ng )女性受到(🥊)压(yā )迫的问题表(biǎ(👩)o )露(🕌)无遗。
東京(jīng )國際同(💻)志影展(📟)參(🌴)展作品(pǐn )
收到媽媽(📑)從山(shān )上(🚩)寄來的蜜蘋果，小月(🏃)(yuè(♿) )計算著，媽媽(mā )已經在外工(🛸)(gō(🎬)ng )作許久了，媽媽的搖(😥)籃曲(qǔ )總(🚕)是在耳邊(biān )呼喚著(🌶)。『你(nǐ )媽(🔟)多久沒回(huí )來了？(🛳)』(🕰)是(shì )小月（13歲）與(🌡)(yǔ )碧艷(🐔)（(🎫)15歲）兩個小女孩(há(🚢)i )彼此關心(📭)的(de )話(huà )語。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
When a Foster Home is stricken by tragedy the few remaining children make a pact to always keep in touch.