一名参加过一战(💹)的退伍(wǔ )军人(rén )被派(pà(🔣)i )往库(kù )塔(tǎ )那德担任邮(😩)差,负责给服役士兵的家(✴)(jiā )属递(👕)(dì )送补(bǔ )助金(jī(🚋)n )及信件(🥜)(jiàn )。随着第二次世(✊)界大战(🔝)的爆发,他的(de )身份(💯)(fèn )逐渐(📯)(jiàn )发生(shēng )了变化(🙃)(huà ),从送(🏇)钱之人变为了报(🐝)丧之人(👻)。
麦子(zǐ )的丈(zhàng )夫(🗓)马(mǎ )豆(🔳)根(gēn )在煤矿(kuàng )事故中受(🥪)了伤,完全瘫痪不能治愈(🥍),由此(cǐ )引发(fā )出麦(mài )子(👺)跟马(mǎ )豆根和矿主老于(🔼)之间充满悬疑色彩的(de )一(💿)场(chǎng )人性(xìng )较量(liàng ),麦子(⛹)用她的坚贞和执着发现(🤟)了美丽(👌)谎(huǎng )言背(bèi )后的(🤝)(de )真相(xià(🌐)ng ),她对(duì )未来的生(🔜)活也不(😈)知会做出怎样的(⬇)选择(zé(👝) )。
After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
20世(shì )纪福(fú )克斯(📍)(sī )最近(👾)买(mǎi )下了Alma Katsu下部小(🌘)说《饥饿(😮)》(The Hunger)的电影版(bǎn )权,这部(🐭)(bù )小说(shuō )以《行(háng )尸走肉(🍋)》的风格叙述了北美历史(💰)上最(zuì )恐怖(bù )的一(yī )段(🦉)“食人”历史。
東京國際同志(🍍)影展參展作品
一(yī )名男(😎)(nán )子不(bú )滿一(yī )樁(zhuāng )冤(📒)獄案件(🍄)的發生,私自綁架(😬)審判該(✂)案(àn )的法(fǎ )官,將(👗)其(qí )囚(🍥)禁於(yú )地下室,並(🛢)錄影開(🧙)直播,公開質疑其(🤲)(qí )判決(😺)(jué )有誤(wù ),要(yào )求(👡)社會(huì(🛄) )大眾對其進行公審並投(👩)票,然而最終(zhōng )的結(jié )果(😒),會因(yīn )此撼動(dòng )程序正(🧘)義嗎?